• Baby-Nachttropfendrache
    Baby-Nachttropfendrache
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  • ohrenhoch kids - Comic
    ohrenhoch kids - Comic "soundmap"
    Online Comic auf http://comic.ohrenhoch.org/ - Illustration von Knut Remond
  • ohrenhochSonntage
    ohrenhochSonntage
    Eintritt frei!
  • SoundGallery
    SoundGallery
    Videos, Sound installation und Handbag Electronics - alle Informationen rund um die Hörgalerie finden Sie hier!
  • Workshops
    Workshops
    Alle Informationen rund um die Workshop Kooperationen finden Sie hier!
  • picture,score,video
    picture,score,video
  • "smell of growing hair" Nobuko Hori
    Ein Sound und eine kleine visuelle Installation, inspiriert von meinen alten Tonbändern aus meiner Kindheit.
    Soundloop und Installation
    von Nobuko Hori
    Assistenz: Kyoka
  • Live-Acts
    Live-Acts
    ohrenhoch bietet auch eine Plattform für Live Performances
    Voraussetzung ist, dass das benutzte Material für Live-Elektronik, in einem Handtäschchen Platz hat Grösse 30 x 30 x 10 cm.
  • Soundinstallation
    Soundinstallation
    Portrait: Jo Thomas-'plugged" von Ute Safrin
    'Timepiece (Berlin, September, 2010)'
    Soundinstallation - für ohrenhoch
    von Thom Blum
  • Beton_Zeitfresser
    Beton_Zeitfresser
  • PHONPIXMIX
    PHONPIXMIX
    ohrenhoch.tv
    January 28 - 30, 2011
  • ohrenhoch_Kids
    ohrenhoch_Kids
    radio play
  • KYOKA_HONDA
    KYOKA_HONDA
    SOUND_INSTALLATION
    14. 21 AUGUST
  • .
    .
  • Kyoka_HONDA
    Kyoka_HONDA
    Sound Cape 1 u. 2
    14 u. 21 August 2011
  • .
    .
    28.8._4.9.2011
  • ohrenhoch_Land
    ohrenhoch_Land
    ohrenhoch_Kids
    June 17-19, 2011
  • ohrenhoch_Land
    ohrenhoch_Land
    ohrenhoch_Kids
    June 17-19, 2011
  • .
    .
    live performance
  • Sunday
    Sunday
  • BABY FUN
    BABY FUN
    ohrenhoch_Kids youngsters 2012
    Samstag 24. März, 18 - 21 Uhr
    Sonntag 25. März, 14 - 21 Uhr
    und am Sonntag 1. April 2012, 14 - 21 Uhr:
  • 2pm_9pm
    2pm_9pm
    every Sunday
  • SoundCake
    SoundCake
    ohrenhoch - Kids and Knut Remond
  • ohrenhochTV
    ohrenhochTV
    livestream:
    live am Sonntag 11. Dezember 2011, 21:00 Uhr
  • Tape music
    Tape music
    Every Sunday 2pm - 9pm
  • 2pm_9pm
    2pm_9pm
    Sunday 5.2 und 12.2 2012
  • Home, Premiere
    Home, Premiere
    Sunday 19 and 26 February 2012, 2pm - 9pm:
  • Trinity
    Trinity
    4 u.11 März 14:00-21:00 Uhr
  • feedback
    feedback
    ohrenhoch' launches an additional presentation platform named "feedback".
  • +
    +
    Sound Objekte Sonntag 18. März 2012, 14 - 21 Uhr:
  • Baby Fun
    Baby Fun
    Samstag 24. März, 18 - 21 Uhr
    Sonntag 25. März, 14 - 21 Uhr
    und am Sonntag 1. April 2012, 14 - 21 Uhr
  • Wunderkammer
    Wunderkammer
    Sonntag 22 and 29 April 2012
  •  _
    _
    Dariusz Mazurowski_pseudaria,ohr/ohrenhoch
  • klanginstallation
    klanginstallation
    Sunday 2 pm - 9pm
  • 15 and 22 Juli 2012
    15 and 22 Juli 2012
    Tape and Scores
  • 29 Juli und 5 August
    29 Juli und 5 August
    2012
  • sunday 12 and 19 august
    sunday 12 and 19 august
    electroacoustic music with video
  • Neele Hülcker
    Neele Hülcker
    Sunday 26 and 2 September 2012
  • TAPEMUSIC
    TAPEMUSIC
    Sunday 9 and 16 September 2012
  • 23 and 30 September 2012  2pm - 9pm
    23 and 30 September 2012 2pm - 9pm
    NEW SPEAKER Installation
  • 3,4 and 11 November
    3,4 and 11 November
    Sound_Installation
  • Sunday 18 and 25 November
    Sunday 18 and 25 November
    Every Sunday 2pm - 9pm
  • Ulrich Ludat
    Ulrich Ludat
    2 und 9 Dezember 14:00 - 21:00 Uhr
  • PREMIERE
    PREMIERE
    Every Sunday 16 and 23 December
  • 2pm - 9pm
    2pm - 9pm
    Sunday 6 and 13 January 2013
  • Zu hören am Sonntag 20. und 27. Januar 2013, 14 - 21 Uhr
    Zu hören am Sonntag 20. und 27. Januar 2013, 14 - 21 Uhr
    Every Sunday 2pm - 9pm
  • Sunday 3 and 10 February 2013
    Sunday 3 and 10 February 2013
    Every Sunday 2pm - 9pm
  • Sunday 17 and 24 February 2013
    Sunday 17 and 24 February 2013
    Tapemusic
  • BASSBOX with 5 Loudspeaker
    BASSBOX with 5 Loudspeaker
    Loudspeaker-Installation
  • 3 and 10 March 2013
    3 and 10 March 2013
    Shahrokh Yadegari "Invitable" Worldpremiere
  • Dean Rosenthal
    Dean Rosenthal
    Sunday 2pm - 9pm
  • ohrenhoch-Kids
    ohrenhoch-Kids
    Frühlingserwachen: Samstag 23 März 17:00-21:00 Uhr
    ohrenhoch_Sonntage: 24 u. 31 März 2013
  • for
    for "BASSBOX"
    Sunday 14 and 21 April
    Sunday 28 April and 5 May 2013
  • part two
    part two
    SUNDAY 28 April and 5 May 2013
  • 12 and 19 May 2013
    12 and 19 May 2013
    Every Sunday 2pm-9pm
  • Sunday 26 May and 2 June
    Sunday 26 May and 2 June
    Every Sunday 2pm - 9pm
  • with Knut Remond
    with Knut Remond
    Sunday 9 June 2013/Time:15:00_17:00_19:00
  • :-)
    :-)
    Freitag 14 Juni 19:00-23:00 Uhr
    Samstag 15 Juni 14:00-22:00 Uhr
    Sonntag 16 Juni 14:00-19:00 Uhr
  • LEBENSPROJEKT
    LEBENSPROJEKT
    Sunday 7 and 14 July 2013
  • 21 und 28 Juli 2013
    21 und 28 Juli 2013
    SOUND ± VIDEO
  • Sound-Installation with special Booklet
    Sound-Installation with special Booklet
    Every Sunday 2pm-9pm
  • Premiere 4 und 11 August 2013
    Premiere 4 und 11 August 2013
    Every Sunday 2pm-9pm
  • Sunday 18 + 25 August 2013
    Sunday 18 + 25 August 2013
    Every Sunday 2pm-9pm
  • =
    =
    Every Sunday 2pm-9pm
  • SOUNDSCAPE-PHOTO INSTALLATION
    SOUNDSCAPE-PHOTO INSTALLATION
    Sunday 15 and 22 September 2013
    2pm-9pm
  • Sound and Booklets
    Sound and Booklets
    Every Sunday 2pm-9pm
  • Sonntag 29 September 2013
    Sonntag 29 September 2013
    Mitarbeit an einer Komposition nur am Sonntag 29 September 14:00-21:00 Uhr
  • Tape with Score
    Tape with Score
    Sunday 6 and 13 October 2013
    2pm - 9pm
  • ich und...? Tonbandstück
    ich und...? Tonbandstück
    Sunday 20 and 27 Ocober 2pm-9pm 2013
  • Video_Installation
    Video_Installation
    Samstag 2.November 18:00-23:00 Uhr und 3/10November 14:00-21:00 Uhr
  • Video_Installation
    Video_Installation
    Sunday 10. November, 2pm-9pm 2013
  • echoic memory
    echoic memory
    Martyna Poznańska
    Sunday 17 and 24 and 1 December 2013,
    2pm - 9pm
  • 8 and 15 December 2013
    8 and 15 December 2013
    Live-Audiostream Soundstück (Uraufführung)
    18:00 - 21:00 Uhr im Schaufensterraum
  • LIVE AUDIOSTREAM
    LIVE AUDIOSTREAM
    8 und 15 Dezember:18:00-21:00 Uhr
    8 and 15 December: 6pm-9pm
  • TAGE I I I
    TAGE I I I
    Sunday 22 and 29 December 2013
    special: 22 Dec: 2am-9am and 2pm-9pm
  • THE FIRST 2014
    THE FIRST 2014
    Sonntag 5 und 12 Januar 2014
    14:00-21:00 Uhr
  • AUDIOFIELDREPORT
    AUDIOFIELDREPORT
    New edition 2014
  • 19 and 26 January 2pm-9pm 2014
    19 and 26 January 2pm-9pm 2014
    Sound and Video Installation
  • 2 and 9 February 2014
    2 and 9 February 2014
  • 16 and 23 February 2014
    16 and 23 February 2014
    world premiere!!
  • Sunday 2 march 2pm-9pm
    Sunday 2 march 2pm-9pm
    grand opening
  • Sunday 9 and 16 march 2014
    Sunday 9 and 16 march 2014
    special mix for ohrenhoch
  • The electroacoustic composer:
    The electroacoustic composer:
    The title itself comes from a declaration she made during an interview saying that some
    actor once said that kissing her was like kissing Hitler.

    What sound accompanied Marilyn Monroe’s death ?

    Sunday 23 and 30 March 2pm-9pm 2014
  • Video and Soundinstallation
    Video and Soundinstallation
    Sunday 6 and 13 April 2014
  • killAmor
    killAmor
    Sunday 20 and 27 April 2014
  • Sunday 4 and 11 May 2014
    Sunday 4 and 11 May 2014
    "I will call you with birds names"
  • Sunday 4 and 11 May 2pm-9pm 2014
    Sunday 4 and 11 May 2pm-9pm 2014
    Meeting and twittering birds experiment with Prune Bécheau at 6pm
  • Sunday 18 & 25 May 2014
    Sunday 18 & 25 May 2014
    Every Sunday 2pm-9pm
  • TAPE-MUSIC
    TAPE-MUSIC
    Sunday 1 and 8 june 2pm-9pm
  • Louise K. Wilson
    Louise K. Wilson
    Sunday: 15 and 22 June 2pm-9pm
    2014
  • 48Std.Neukölln 2014
    48Std.Neukölln 2014
    Freitag 27. Juni-Sonntag 29 Juni
    19:00-23:00/14:00-23:00/14:00-19:00 Uhr
  • "I"
    Annabel Frearson Sunday 13. and 20. July 2014, 2pm - 9 pm
  • Fieldrecording
    Fieldrecording
    Sunday 27 July and 3 August 2pm-9pm 2014
  • °
    °
    "Touch" Sunday 10 and 17 August 2014
    2pm-9pm
  • Sound-Installation 2 pm - 9 pm
    Sound-Installation 2 pm - 9 pm
    Martin Daske + Kg Augenstern (Christiane Prehn und Wolfgang Meyer)
    Sonntag 24. und 31. August
    Sonntag 7. und 14. September
    2014
  •  Schiff 014
    Schiff 014
    Video-Livestream-
    Installation
    Sunday 7 and 14
    September 2014
    2pm-9pm
  • docu-music
    docu-music
    Sunday 21 and 28 September 2014
    2pm - 9 pm
  • Tape-Music
    Tape-Music
    Sunday 5 and 12 October 2014
    2pm-9pm
  • Klang-Installation
    Klang-Installation
    Sonntag 19. und 26. Oktober 2014
    14:00-21:00 Uhr
  • Sound-Installation
    Sound-Installation
    Sunday 19 and 26 October 2014
    2 pm 9 pm
  • Dok.Sound
    Dok.Sound
    Samstag 1. November 19:00-23:00 Uhr (NachtundNebel)
    Sonntag 2. und 9. November 14:00-21:00 Uhr
German (DE-CH-AT)English (United Kingdom)

News

ohrenhoch-Kids Klanginstallation "Tagaktiv" Recording, Gruson-Gewächshaus | artwork: Knut Remond

To hear on Saturday 1 November 2014, from 7pm to 11pm
at the NachtundNebel festival

and on the ohrenhoch Sundays
2 and 9 November 2014, 2pm - 9pm:

Tagaktiv (Diurnal)

Sound installation (2009 - 2014)
by the ohrenhoch-Kids

Director: Knut Remond

Recording from 25 October 2014, palm house at Gruson greenhouses Magdeburg, SinusTon - Magdeburg Days of Electroacoustic Music.

The ohrenhoch-Kids presented their sound-space installation "Tagaktiv" in the Gruson greenhouse at the Magdeburg Days of Electroacoustic Music SinusTon on 25 October. 

The compositions consisting of more than 70 creations of imitated or fantasy animals were produced and installed under the title 'Nocturnal' by the ohrenhoch-Kids for the first time in 2009 in the darkened cellar room of 'ohrenhoch - the Noise Shop'. In 2013 the ohrenhoch-Kids produced "Superfrogs and Toad Music" with the same idea as the 'Nocturnal' composition and installation concept, save that it's interlarded additionally with so-called real frogs and toads, whose voices were placed at their disposal by the Animal Sound Archive of Natural History Museum of Berlin.

For the creation of the fictional animals the ohrenhoch-Kids recorded different acoustic everyday objects such as plastic cups, prepared recorder, straws, elastic bands and their voices, and processed them on the computer. They compiled these more than 70 pieces or recordings on 9 MP3 players with plugged small active speakers, and partially structured them with pauses. The pauses are important in this conception or composition as the individual MP3 players intertwine and give a fantastic spaciousness to the collective composition.

For the sound-space installation 'Tagaktiv' in the Gruson greenhouses the ohrenhoch-Kids decided for the palm house. For the entire composition they additionally composed new animal sounds. The compilation of 94 compositions for the Gruson greenhouse has been newly distributed to 12 MP3 players for the palm house. The ohrenhoch-Kids installed 'Tagaktiv' between the plants in the Gruson greenhouse and acted as guides for the small and big hearers through the fabulous sound labyrinth, combined with a botanical guided tour.

The names of the ohrenhoch-Kids who worked on this composition or sound installation between 2009 and 2014: Ferdinand, Louis, Clara, Samuel, Jacob, Chiara, Tarek, Yuri, Elias.  

The names of the animal sounds compositions:
EULE, CHIP, GOSTY-KRÖTE, NACHTSPATZ, ENTE MIT MIKROPHON, UHU, WASSERBLECH-FROSCH, AUSTRALISCHE KRÖTE, WILDSCHWEIN(E), WABENKRÖTE, KLORAX, RALOHFX, DACHS, PFEIFER, MESSERSCHARFES NACHTKONZERT, STAR-KRÖTE, NASUZULAMI, NACHTIGALL, SCHRAUBEN-KRÖTE, NUSSVOGEL, SPECHT, LIZZARD-KRÖTE, SMILISCA Südamerika, FASSI-FROSCH, GRILLE(N), PLASTIKVOGEL, TOLLWÜTIGE NACHTIGALL, VOGELKONZERT, HUGO-FROSCH, KLEINER WASSERFROSCH, SCHLAMM-FROSCH, JAPANISCHER LAUBFROSCH, RADIO-VOGEL, ROHRSPATZ, REGENSPATZ, WASSERNACHTGLUCKVOGEL, RIEDFROSCH Afrika, ROTBAUCHUNKE Europa, KAKTUS-KRÖTE, HANDY-VOGEL, MESSERSCHARF, TROMPETEN-NASEN-VOGEL, VOGELOMETER, WELLENSITTICH, PLATSCH einzeln, WASSERGLUCKVOGEL, IGEL SCHMATZT, MAUS UND IGEL TANZEN, GRÜNER MUSIK-FROSCH, RABE, MAUS TANZT, TECHNIK-KRÖTE, LUFT-KRÖTE, EISI-FROSCH, DONNER-KRÖTE, INDIADA-KRÖTE, VLAKRO-KRÖTE, GLIBBO KRÖTE, GLIBBER-FROSCH, ALIGARORI FRO, FRO JOKE, ROYAL FROSCH, KRISTALL-FROSCH, BLIZZER-KRÖTE, HANDY-KRÖTE, NEUKÖLLNI-KRÖTE, NO FROSCH, STAHL-WÄCHTER, KUGEL-FROSCH, CHINESISCHER WASSERFROSCH, TEICHFROSCH, WASSERFROSCH Türkei, MOORFROSCH, RODOQUALLE, MAULTROMMELENTE, MONSTERBRÜHL, HAMMER-KRÖTE, KREUZKRÖTE, SAHARAFROSCH Afrika, GIFTFROSCH Südafrika, ZIRPFROSCH Australien, GRASFROSCH Befreiungsrufe, KRALLENFROSCH Südafrika, TORNADO-KRÖTE, SPIEGELFROSCH, AGA-KRÖTE Amerika, MAURISCHE KRÖTE Afrika, BAMBINA-BAMBINA, MOTORI-FROSCH, WASSERSCHNEPFE, ENTENKÜKEN, TUBA, SPATZ, KLAPPERSCHLANGE

The ohrenhoch-Kids on ohrenhoch website

NachtundNebel festival

 

Who is ruling your kingdom, dear ambrosia? | Photo credit: Tamara Friebel

To hear on Sunday 19 and 26 October 2014, 2pm - 9pm:

Who is ruling your kingdom, dear ambrosia?

by Tamara Friebel

Tamara Friebel on 'Who is ruling your kingdom, dear ambrosia?':

future  

dear past.
does it matter how much I remember of you?

Tamara Friebel
born in Australia, lives in Vienna since 2002 | Austria, Staatsstipendium 2014 | NASOM Stipendium 2014/15 | Rondo Kunst Atelier Graz 2013/14 | Studies in sociology and theology in Melbourne, and in architecture at the Universität für angewandte Kunst with Zaha Hadid and in composition at the Universität für darstellende Kunst with Chaya Czernowin, Karlheinz Essl, doctorate in composition with Liza Lim at the University of Huddersfield | Works include Australia Biennale Pavilion” (short-listed); “Wärme ” Kurzoper mit Phace, Wien Modern, Palais Kabelwerk; "There was never any war up here", Studio for New Music Moscow.

Website Tamara Friebel

   

Liam Slevin Sonic Skin 1.3 | Photo credit Anna Byrne

To hear on Sunday 5. and 12 October 2014, 2pm - 9pm:

Sonic Skin 1.3

by Liam Slevin

 Liam Slevin on 'Sonic Skin 1.3':

Sonic Skin is a transient, unseen, research unit and live audio platform devised, maintained and disseminated by Liam Slevin. Sonic Skin is currently active in two cities; Detroit and Berlin. 

Sonic Skin approaches the urban environment as an analogy of the corporeal, with a complex set of systems: organs, nerves, glands, fluids, skeleton and skin. Using field recordings taken from the urban sound ecology of Detroit and Berlin, Slevin will present a selection of these recordings that are composed at random, creating a layered and dissected soundscape.

The recordings from both cities have been made through the use of minimal, simple technologies, primarily contact microphones and contact speakers. This simple act of physical connection between microphone and membrane transforms each glass window, metal rail, bus stop shelter, café countertop, worn seat into both an ear and mouth, a sonic orifice to ingest and release the frenetic energy within these seemingly passive surfaces.

Liam Slevin 
B.1984. Cork, Ireland 
Slevin is a multi-disciplinary artist, curator and from Cork Ireland. He has exhibited and performed throughout Ireland and abroad. Most notable exhibitions and performances include MIA, Portugal (2011), Sonic Vigil, Cork (2011) IMOCA, Dublin (2012), Holz Kohlen Koks, Berlin (2012), Listhus, Iceland (2012) Open Spike Island, Bristol (2013) and Popps Packing, Detroit (2014) He holds a B.A honours degree from the Limerick School of Art and Design and has been the recipient of the Travel and Training Award from the Arts Council of Ireland in 2012, 2013 & 2014. 

In 2008 he co-founded the artist collective Cork Contemporary Projects. Its main ethos was to facilitate emerging artists, collaborate with alternative art discipline and to open dialogue and discourse with peer organisations. In 2009 he set up and became the co-director of theSPACE, a one year artist led project space. theSPACE hosted 8 exhibitions, artists talks, workshops, screenings, performances and a series of sound art events called ‘Input/Output’ 
In July of 2011 Slevin set up TACTIC, a new gallery and project space in Cork city with Pamela Myers. TACTIC was formed to address the lack of cultural space available for curators to develop and maintain a working practice in the Munster region of Ireland and was quickly established as a leading venue for curatorial projects with a focus on sonic, new media and live art, garnering several reviews, most notable from the Paper Visual Art, Avant and Enclave Review for Slevin’s own curated show ‘Uncanny Sounds’.

In 2012 he moved to Berlin, where he undertook a 10 month curatorial residency at the Waterloo Artspace. Over the 10 months he curated and facilitated over 15 experimental art events at Waterloo under the banner of Av format. 

He lives and works between Cork, Ireland and Berlin, Germany.

Website Liam Slevin

 

Cathy Lane | Photo: Polly Bagnall

To hear on Sunday 21 and 28 September 2014, 2pm - 9pm:

Sweet Airs

(2014, Premiere)
by Cathy Lane

Cathy Lane on 'Sweet Airs':

The wind is responsible for so many things in the Hebrides (remote islands off the west coast of Scotland). It hardly ever stops blowing. It has many characters and is accompanied by all kinds of other weather conditions. For a sound artist and composer making recordings in the islands the wind can be a curse, but it is more often a delightful carrier of the voices of people, animals, birds and things. These airborne sounds often come from far away, their source hidden from view, mysterious like the ‘sweet airs’ of Shakespeare’s play The Tempest - the sounds of a birthday party far across the island; sheep roaming the cliffs; people singing hymns together in a house; cows waiting to board the ferry to be sold on the mainland; snippets of a church service and the cries of different birds. The wind also has its own voices and activates the songs of other objects - gates, plants, leaves, fences.  The wind is an accompaniment to all aspects of life on these unique islands.

Cathy Lane is a composer, sound artist and researcher. Her current interests include how sound relates to the past, our histories, our environment and our collective and individual memories; composing with the spoken word; field recording; listening; and how feminism and gender are manifested within sound art. Aspects of her creative practice have developed out of these interests and include composition and installation-based work with spoken word, field recordings and archive material. Books include Playing with Words: The Spoken Word in Artistic Practice (RGAP, 2008) and, with Angus Carlyle, In the Field (Uniformbooks, 2013), a collection of interviews with eighteen contemporary sound artists who use field recording in their work and On Listening (2013) a collection of commissioned essays about some of the ways in which listening is used in different disciplines. Her CD The Hebrides Suite was released by Gruenrekorder in 2013.  Cathy Lane is Professor of Sound Arts at University of the Arts London and co-directs Creative Research in Sound Arts Practice (CRiSAP).

Website Cathy Lane

   

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