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  • ohrenhoch kids - Comic
    ohrenhoch kids - Comic "soundmap"
    Online Comic auf http://comic.ohrenhoch.org/ - Illustration von Knut Remond
  • ohrenhochSonntage
    ohrenhochSonntage
    Eintritt frei!
  • SoundGallery
    SoundGallery
    Videos, Sound installation und Handbag Electronics - alle Informationen rund um die Hörgalerie finden Sie hier!
  • Workshops
    Workshops
    Alle Informationen rund um die Workshop Kooperationen finden Sie hier!
  • picture,score,video
    picture,score,video
  • "smell of growing hair" Nobuko Hori
    Ein Sound und eine kleine visuelle Installation, inspiriert von meinen alten Tonbändern aus meiner Kindheit.
    Soundloop und Installation
    von Nobuko Hori
    Assistenz: Kyoka
  • Live-Acts
    Live-Acts
    ohrenhoch bietet auch eine Plattform für Live Performances
    Voraussetzung ist, dass das benutzte Material für Live-Elektronik, in einem Handtäschchen Platz hat Grösse 30 x 30 x 10 cm.
  • Soundinstallation
    Soundinstallation
    Portrait: Jo Thomas-'plugged" von Ute Safrin
    'Timepiece (Berlin, September, 2010)'
    Soundinstallation - für ohrenhoch
    von Thom Blum
  • Beton_Zeitfresser
    Beton_Zeitfresser
  • PHONPIXMIX
    PHONPIXMIX
    ohrenhoch.tv
    January 28 - 30, 2011
  • ohrenhoch_Kids
    ohrenhoch_Kids
    radio play
  • KYOKA_HONDA
    KYOKA_HONDA
    SOUND_INSTALLATION
    14. 21 AUGUST
  • .
    .
  • Kyoka_HONDA
    Kyoka_HONDA
    Sound Cape 1 u. 2
    14 u. 21 August 2011
  • .
    .
    28.8._4.9.2011
  • ohrenhoch_Land
    ohrenhoch_Land
    ohrenhoch_Kids
    June 17-19, 2011
  • ohrenhoch_Land
    ohrenhoch_Land
    ohrenhoch_Kids
    June 17-19, 2011
  • .
    .
    live performance
  • Sunday
    Sunday
  • BABY FUN
    BABY FUN
    ohrenhoch_Kids youngsters 2012
    Samstag 24. März, 18 - 21 Uhr
    Sonntag 25. März, 14 - 21 Uhr
    und am Sonntag 1. April 2012, 14 - 21 Uhr:
  • 2pm_9pm
    2pm_9pm
    every Sunday
  • SoundCake
    SoundCake
    ohrenhoch - Kids and Knut Remond
  • ohrenhochTV
    ohrenhochTV
    livestream:
    live am Sonntag 11. Dezember 2011, 21:00 Uhr
  • Tape music
    Tape music
    Every Sunday 2pm - 9pm
  • 2pm_9pm
    2pm_9pm
    Sunday 5.2 und 12.2 2012
  • Home, Premiere
    Home, Premiere
    Sunday 19 and 26 February 2012, 2pm - 9pm:
  • Trinity
    Trinity
    4 u.11 März 14:00-21:00 Uhr
  • feedback
    feedback
    ohrenhoch' launches an additional presentation platform named "feedback".
  • +
    +
    Sound Objekte Sonntag 18. März 2012, 14 - 21 Uhr:
  • Baby Fun
    Baby Fun
    Samstag 24. März, 18 - 21 Uhr
    Sonntag 25. März, 14 - 21 Uhr
    und am Sonntag 1. April 2012, 14 - 21 Uhr
  • Wunderkammer
    Wunderkammer
    Sonntag 22 and 29 April 2012
  •  _
    _
    Dariusz Mazurowski_pseudaria,ohr/ohrenhoch
  • klanginstallation
    klanginstallation
    Sunday 2 pm - 9pm
  • 15 and 22 Juli 2012
    15 and 22 Juli 2012
    Tape and Scores
  • 29 Juli und 5 August
    29 Juli und 5 August
    2012
  • sunday 12 and 19 august
    sunday 12 and 19 august
    electroacoustic music with video
  • Neele Hülcker
    Neele Hülcker
    Sunday 26 and 2 September 2012
  • TAPEMUSIC
    TAPEMUSIC
    Sunday 9 and 16 September 2012
  • 23 and 30 September 2012  2pm - 9pm
    23 and 30 September 2012 2pm - 9pm
    NEW SPEAKER Installation
  • 3,4 and 11 November
    3,4 and 11 November
    Sound_Installation
  • Sunday 18 and 25 November
    Sunday 18 and 25 November
    Every Sunday 2pm - 9pm
  • Ulrich Ludat
    Ulrich Ludat
    2 und 9 Dezember 14:00 - 21:00 Uhr
  • PREMIERE
    PREMIERE
    Every Sunday 16 and 23 December
  • 2pm - 9pm
    2pm - 9pm
    Sunday 6 and 13 January 2013
  • Zu hören am Sonntag 20. und 27. Januar 2013, 14 - 21 Uhr
    Zu hören am Sonntag 20. und 27. Januar 2013, 14 - 21 Uhr
    Every Sunday 2pm - 9pm
  • Sunday 3 and 10 February 2013
    Sunday 3 and 10 February 2013
    Every Sunday 2pm - 9pm
  • Sunday 17 and 24 February 2013
    Sunday 17 and 24 February 2013
    Tapemusic
  • BASSBOX with 5 Loudspeaker
    BASSBOX with 5 Loudspeaker
    Loudspeaker-Installation
  • 3 and 10 March 2013
    3 and 10 March 2013
    Shahrokh Yadegari "Invitable" Worldpremiere
  • Dean Rosenthal
    Dean Rosenthal
    Sunday 2pm - 9pm
  • ohrenhoch-Kids
    ohrenhoch-Kids
    Frühlingserwachen: Samstag 23 März 17:00-21:00 Uhr
    ohrenhoch_Sonntage: 24 u. 31 März 2013
  • for
    for "BASSBOX"
    Sunday 14 and 21 April
    Sunday 28 April and 5 May 2013
  • part two
    part two
    SUNDAY 28 April and 5 May 2013
  • 12 and 19 May 2013
    12 and 19 May 2013
    Every Sunday 2pm-9pm
  • Sunday 26 May and 2 June
    Sunday 26 May and 2 June
    Every Sunday 2pm - 9pm
  • with Knut Remond
    with Knut Remond
    Sunday 9 June 2013/Time:15:00_17:00_19:00
  • :-)
    :-)
    Freitag 14 Juni 19:00-23:00 Uhr
    Samstag 15 Juni 14:00-22:00 Uhr
    Sonntag 16 Juni 14:00-19:00 Uhr
  • LEBENSPROJEKT
    LEBENSPROJEKT
    Sunday 7 and 14 July 2013
  • 21 und 28 Juli 2013
    21 und 28 Juli 2013
    SOUND ± VIDEO
  • Sound-Installation with special Booklet
    Sound-Installation with special Booklet
    Every Sunday 2pm-9pm
  • Premiere 4 und 11 August 2013
    Premiere 4 und 11 August 2013
    Every Sunday 2pm-9pm
  • Sunday 18 + 25 August 2013
    Sunday 18 + 25 August 2013
    Every Sunday 2pm-9pm
  • =
    =
    Every Sunday 2pm-9pm
  • SOUNDSCAPE-PHOTO INSTALLATION
    SOUNDSCAPE-PHOTO INSTALLATION
    Sunday 15 and 22 September 2013
    2pm-9pm
  • Sound and Booklets
    Sound and Booklets
    Every Sunday 2pm-9pm
  • Sonntag 29 September 2013
    Sonntag 29 September 2013
    Mitarbeit an einer Komposition nur am Sonntag 29 September 14:00-21:00 Uhr
  • Tape with Score
    Tape with Score
    Sunday 6 and 13 October 2013
    2pm - 9pm
  • ich und...? Tonbandstück
    ich und...? Tonbandstück
    Sunday 20 and 27 Ocober 2pm-9pm 2013
  • Video_Installation
    Video_Installation
    Samstag 2.November 18:00-23:00 Uhr und 3/10November 14:00-21:00 Uhr
  • Video_Installation
    Video_Installation
    Sunday 10. November, 2pm-9pm 2013
  • echoic memory
    echoic memory
    Martyna Poznańska
    Sunday 17 and 24 and 1 December 2013,
    2pm - 9pm
  • 8 and 15 December 2013
    8 and 15 December 2013
    Live-Audiostream Soundstück (Uraufführung)
    18:00 - 21:00 Uhr im Schaufensterraum
  • LIVE AUDIOSTREAM
    LIVE AUDIOSTREAM
    8 und 15 Dezember:18:00-21:00 Uhr
    8 and 15 December: 6pm-9pm
  • TAGE I I I
    TAGE I I I
    Sunday 22 and 29 December 2013
    special: 22 Dec: 2am-9am and 2pm-9pm
  • THE FIRST 2014
    THE FIRST 2014
    Sonntag 5 und 12 Januar 2014
    14:00-21:00 Uhr
  • AUDIOFIELDREPORT
    AUDIOFIELDREPORT
    New edition 2014
  • 19 and 26 January 2pm-9pm 2014
    19 and 26 January 2pm-9pm 2014
    Sound and Video Installation
  • 2 and 9 February 2014
    2 and 9 February 2014
  • 16 and 23 February 2014
    16 and 23 February 2014
    world premiere!!
  • Sunday 2 march 2pm-9pm
    Sunday 2 march 2pm-9pm
    grand opening
  • Sunday 9 and 16 march 2014
    Sunday 9 and 16 march 2014
    special mix for ohrenhoch
  • The electroacoustic composer:
    The electroacoustic composer:
    The title itself comes from a declaration she made during an interview saying that some
    actor once said that kissing her was like kissing Hitler.

    What sound accompanied Marilyn Monroe’s death ?

    Sunday 23 and 30 March 2pm-9pm 2014
  • Video and Soundinstallation
    Video and Soundinstallation
    Sunday 6 and 13 April 2014
  • killAmor
    killAmor
    Sunday 20 and 27 April 2014
  • Sunday 4 and 11 May 2014
    Sunday 4 and 11 May 2014
    "I will call you with birds names"
  • Sunday 4 and 11 May 2pm-9pm 2014
    Sunday 4 and 11 May 2pm-9pm 2014
    Meeting and twittering birds experiment with Prune Bécheau at 6pm
  • Sunday 18 & 25 May 2014
    Sunday 18 & 25 May 2014
    Every Sunday 2pm-9pm
  • TAPE-MUSIC
    TAPE-MUSIC
    Sunday 1 and 8 june 2pm-9pm
  • Louise K. Wilson
    Louise K. Wilson
    Sunday: 15 and 22 June 2pm-9pm
    2014
  • 48Std.Neukölln 2014
    48Std.Neukölln 2014
    Freitag 27. Juni-Sonntag 29 Juni
    19:00-23:00/14:00-23:00/14:00-19:00 Uhr
  • "I"
    Annabel Frearson Sunday 13. and 20. July 2014, 2pm - 9 pm
  • Fieldrecording
    Fieldrecording
    Sunday 27 July and 3 August 2pm-9pm 2014
  • °
    °
    "Touch" Sunday 10 and 17 August 2014
    2pm-9pm
  • Sound-Installation 2 pm - 9 pm
    Sound-Installation 2 pm - 9 pm
    Martin Daske + Kg Augenstern (Christiane Prehn und Wolfgang Meyer)
    Sonntag 24. und 31. August
    Sonntag 7. und 14. September
    2014
  •  Schiff 014
    Schiff 014
    Video-Livestream-
    Installation
    Sunday 7 and 14
    September 2014
    2pm-9pm
  • docu-music
    docu-music
    Sunday 21 and 28 September 2014
    2pm - 9 pm
  • Tape-Music
    Tape-Music
    Sunday 5 and 12 October 2014
    2pm-9pm
  • Klang-Installation
    Klang-Installation
    Sonntag 19. und 26. Oktober 2014
    14:00-21:00 Uhr
  • Sound-Installation
    Sound-Installation
    Sunday 19 and 26 October 2014
    2 pm 9 pm
  • Dok.Sound
    Dok.Sound
    Samstag 1. November 19:00-23:00 Uhr (NachtundNebel)
    Sonntag 2. und 9. November 14:00-21:00 Uhr
  • TapeMusic
    TapeMusic
    Sunday 16 and 23 November 2014
    2 pm-9 pm
  • PERFORMANCE
    PERFORMANCE
    Freitag 28 November 21:00 Uhr
    Plätze Reservieren
    info@ohrenhoch.org
  • Matthias Kranebitter
    Matthias Kranebitter "survival of the fittest"
    Sonntag: 30 November und 7 Dezember 2014
  • Neele Hülcker + Elisabeth R. Hager
    Neele Hülcker + Elisabeth R. Hager
    Sonntag 14, 21 und 28 Dezember 2014
    14:00-21:00 Uhr
  • Soundactivism 2015
    Soundactivism 2015
    at ohrenhoch in 2015 the platform "soundactivism" will be installed!
    im ohrenhoch wird 2015 die plattform "soundactivism" installiert! 
  • Soundactivism
    Soundactivism
    Sonntag 4 und 11 Januar 2015
    Sunday 4 and 11. January 2015
  • soundactivism
    soundactivism
    Sunday 18 and 25 January 2pm-9pm / 2015
  • SOUND-INSTALLATION
    SOUND-INSTALLATION
    Sunday 1 and 8 February 2 pm-9 pm
    2015
  • "outcry" Knut Remond
    Sunday 15 an 22 February 2015
    2 pm - 9 pm
  • FIELDRECORDINGS
    FIELDRECORDINGS
    Sunday 1 + 8 March 2 pm - 9 pm 2015
  • Maggie Payne
    Maggie Payne
    Sunday: 15 + 22 March
    2 pm - 9 pm
  • Installation für einen einzelnen Gast.
    Installation für einen einzelnen Gast.
    Sunday 29 Mars + 5 April 2 pm -9 pm 2015
  • SOUNDACTIVISM
    SOUNDACTIVISM
    Sunday 12 + 19 April 2015
    2 pm - 9 pm
  • Dean Rosenthal
    Dean Rosenthal "Island"
    "Island" Sunday 26 April and 3 May 2015
    2 pm - 9 pm
  • Composizione elettroacustica
    Composizione elettroacustica
    Sunday 10 + 17 May 2015
    2 pm - 9 pm
  • #
    #
    Knut Remond "defeat" (2011) Sunday: 24 May 2015 2 pm - 9 pm
German (DE-CH-AT)English (United Kingdom)

News

SOUND ACTIVISM

2015, ohrenhoch der Geräuschladen

We are pleased to inform you that in 2015 'ohrenhoch der Geräuschladen' will deal with the question "Sound activism" in the most diverse facets, and thereto will make signals like:

What can sound activate?
Trigger what?
Does ist have to be political?

Is language unavoidable?
Fathom the agency of the acoustic.
A hearing enlightenment.
(Excerpt from the text "Sound activism" by Knut Remond and Isabella Zamboni)

Martyna Poznanska will be starting on Sunday 4 and 11 January 2015 with her sound installation "Salt-Sculpting", which is special also in the sense that it will be present at ohrenhoch throughout the year 2015.

18 and 25 January 2015: "Meine-Welt-Musik – 2. Symphonie" Op.148/2013 by Dieter Kaufmann

1 and 8 February 2015: "Syria..as my mother speaks" by Christine Gedeon with sound artist Bent Bøgedal Christoffersen.

15 and 22 February 2015: "outcry" for Bassbox loudspeaker installation, by Knut Remond

1 and 8 March 2015: "MOSCOW - (M)y Swo(O)ning (S)ends out (C)old (W)armth", by Elisabeth Schimana

15 and 22 March 2015: "Black Ice" by Maggi Payne

29 March and 5 April: "Labor in the Territory of Hawaii, 1939" Installation for a single visitor, by Ludwig Abraham

12 and 19 April: "Breathe Between the Lines / Atmen Zwischen Linien" - for Eric Garner, by Christopher DeLaurenti

26. April and 3 May: "Island" by Dean Rosenthal

10 and 17 May: "La rosa incarnata del suono" by Giuseppe Iacono

24 May: "defeat" - audiodrama or psychosonic? - by Knut Remond

 

"defeat" by Knut Remond | Score detail

ohrenhoch presents on the theme 'Sound Activism'

on Sunday 24 May 2015, 2pm - 9pm:

defeat

audiodrama or psychosonic?
(2011)
by Knut Remond

With exhibition of the score

Knut Remond on 'defeat':



The so-called compositional technique originates in a spiderweb or a conjunction of digital new media and music composition software. Working as an artist today with a laptop as a tool one is quasi immediately or simultaneously in a digital flood of news, moving in a cluster of (mass) information. I find it interesting that today as a composer or artist, with digital technique one consciously, unconsciously or automatically is in a journalistic, researching context. The question is: are we informed better, more extensively, and in a more enlightened way in this digital era?

I describe "defeat" as "doc. sound" (documentary sound).

From a mixture of rage and experiment the digital (copy and paste) piece "defeat" resulted in 2011. It was a research on the Iraq War instigated by the USA and the coalition of the willing, and on the procedure of American soldiers in Iraq with children in particular. The embargo imposed on Iraq particularly struck children. Also the napalm derivative M-77 was used.

In hindsight, different scientists in the USA investigated the behavior of the US media during the Iraq War. Sobering result: While critics of the US war practically couldn't get a word in edgewise, the US media uncritically for the most part took on the contents given by the Pentagon.
 
The documentary material for "defeat" are mobile phone video recordings by US soldiers educating Iraqi children with, for instance, footballs, chocolate and soft toys. I TOOK OFF THE SOUNDTRACK FROM THE PICTURES AND CUT IT UP.


ohrenhoch-Archiv 'potato':

'Audio Field Reports' nos.1-30 (since Januar 2014): Interviews with the composers by Knut Remond. Ltd. Ed. audio cassette, each 8 copies numbered. Available at 'ohrenhoch, der Geräuschladen' (and heard there on headphones).
Booklets 2012 - 2013: Interviews with the composers and illustrations by Knut Remond, program notes, biographies, Ltd. Ed. each about 10 copies, accessible at the ohrenhoch archive 'potato'. Single booklets still available.

Knut Remond 
Composer, performer, multimedia artist. Founder, artistic director and curator of the soundgallery 'ohrenhoch, der Geräuschladen' in Berlin-Neukölln – a presentation form of electronic and electroacoustic music, in combination with a sound-architectural space concept. Founder, director and mentor of the 'ohrenhoch-Kids' – school or research center for electroacoustic music and sound installation for children from 5 to 14 years. 

Knut Remond has been active internationally in contemporary, experimental and improvised music, as composer, performer, and sound installer. He created numerous musical and multimedia works, electroacoustic, instrumental and for voices, including:' Menschenhauttrommel' (1985); "Siegfried" by Richard Wagner (1989) Installation/Performance; the trilogy COSMICS Vol.1-3 (1992-2000); "Physische Körper" for Tanzensemble Cathy Sharp (2000); compositions commissioned by X-Quartett and Ensemble Phoenix Basel (2006, 2009); "Erhebe Deine Stimme", oratorio to the German Unity (2010), developed and performed with young students from Berlin schools, premiered at Philharmonie Berlin; 'defeat' (2011), audiodrama or psychosonic?; "deil's apartment" (2012), Soundroom design; "Hören+Kunst=Revolution" (2013), spoken presentations with an electroacoustic mix of quotations from Eric Satie to Allan Kaprow; "killAmor" (2014); "Holy Bunny" (2014).

He is inventor, designer and director of the workshop-app-soundinstallation project "Social Sound Organism" commissioned by Theater St. Gallen (2015).

   

Giuseppe Iacono | Photo: Nicola Iacono

To hear on Sunday 10 and 17 May 2015, 2pm - 9pm:

La rosa incarnata del suono

(2014, German Premiere)
by Giuseppe Iacono

Loudspeaker installation, curator: Knut Remond

Giuseppe Iacono on 'La rosa incarnata del suono':

A purplish and sinuous resounding nebula, dreamlike and fragile, and a collection of distorsions with violent and sharp signs, an alphabet composed of silver and bronze characters, clinking coal splinters, at times a smutty, dense, fine dust.

On the backdrop are barely visible the real sound sources of these two opposing substances: a ship’s metal gate scratching the dock of a pier and the string of a violin, played with deep pressure at ten vulnerable points.

The unfolding of the reaction coming out of this heterogeneous matter and its microscopic exploration goes along with three images (ropes in tension, pulleys, bees and street scenes) without the purpose of telling a story. Rather, the pleasure induced by their mutual contact is an end in itself.

'Audio Field Report no. 30 / sound activism 9':Interview with Giuseppe Iacono by Knut Remond, based on the questions to 'Sound Activism' by Knut Remond and Isabella Zamboni. Limited Edition Audio cassette, 8 copies numbered. Available at 'ohrenhoch - the Noise Shop' (and can be heard there on headphone no.1).

Special: Interview leaflet with further questions to Giuseppe Iacono by Knut Remond.

Giuseppe Iacono graduated in 2001 in Violin at the Conservatory of Naples, Italy, with Gabriela Drasarova and Aldo Matassa.

In 2003 he graduated in Composition at the Conservatory of Naples, Italy, with Paolo Rimoldi.
He also attended several Masterclasses in Composition with composers such as Ivan Fedele, Alessandro Solbiati, Claudio Ambrosini, and a Violin Masterclass at the “Scuola Civica” in Milan with Carlo Feige.
From 2002 to 2005 he studied Electronic Music at the Conservatory of Como, with Giovanni Cospito.
In 2006 he attended the Sonology Course at the Royal Conservatory in Den Haag, The Netherlands.
Giuseppe Iacono has collaborated with the filmmakers Reynold Reynolds, Silvia Schedelbauer, Vanessa Woods, Samantha Clark.
The video Way fare (directed by Sylvia Schedelbauer with music of Giuseppe Iacono) received the award for “Best Sound Design” at the Ann Arbor Film Festival, USA.
In 2011 he participated in the “48 Stunden Neukoelln” Festival, Berlin and in the “TransMediale – Art&Digital Culture Festival”, Berlin.
In the same year he followed a Violin masterclass at the UDK, Berlin, with the violinist Mo Yi, assistant of Nora Chastain.
In 2014 he partecipated with an audio installation and a violin performance to the exhibition by Italian sculptor Giovanni De Angelis at the Aragonese Castle, Ischia (Italy).
Giuseppe Iacono regularly performs in duo with piano and organ, or in several kinds of ensembles.

Website Giuseppe Iacono

 

Dean Rosenthal

To hear on Sunday 26 April and 3 May 2015, 2pm - 9pm:

Island

(2015, World Premiere)
by Dean Rosenthal

Loudspeaker installation, curator: Knut Remond

Dean Rosenthal on 'Island':

What you are hearing in 'Island' is an excerpt, a study really, in preparation for a much longer piece, also named Island, the composition of which is now underway. Island explores the history and community of the island I live on, Martha’s Vineyard. In America and around the world, Martha’s Vineyard is famous for hosting presidents and celebrities in their vacation time, and also provides a spot for the well-off and wealthy of the world to hang their hat when they want to escape everyday life. 

 The year-round community who call Martha’s Vineyard home has an often separate existence and contains a richness that visitors rarely see and that richness and lore is the subject of Island. I interviewed a number of year-round residents, asking each the same three questions: What brought you here? Why do you stay? Do you have a story to tell? I also went around the island recording sounds from wherever I could. In the end, Island is a narrative of the island community and of island sounds that forms the lasting and unique connection that we as year-rounders experience as we live here on the island and the aural and spiritual landscape that is Martha’s Vineyard.

Relating to the question "sound activism" with which ohrenhoch deals in 2015, Dean Rosenthal writes:

Sound Activism is for me something that all sound is striving for – whether or not it is social or political, sound reaches out to others to bring us together, push us apart, pull us into solitude, or lead us to an intellectual and emotional space for us to contemplate or weep or jump for joy or reinvigorate us; things like that, both experiential and a-priori. 
As a composer, when I activate music, it's almost as if I'm merely translating something that has already existed and forever will exist. My work often is driven by musical ideas that I find outside of myself. Finding these musical ideas usually appears to me without provocation and so the element of sound activism is less influential as an intellectual or aesthetic modality than the sound activism I find in my personal experience of community, but also acts of inspiration tempered by logic.

Dean Rosenthal works with found objects and mathematical formulas in his work as composer. His pieces have instrumental works, often focussed on natural observations of properties in mathematics such as perfect tilings, combinations, and permutations, field recordings, text scores, and digital pastiche. Dean Rosenthal serves as a co-editor of The Open Space Web Magazine and contributing editor to other Open Space publications. His works are performed, broadcast, choreographed and installed internationally, primarily in North America and Europe.

Website Dean Rosenthal
Website daykah 

['Island' is supported in part by a grant from the Martha's Vineyard Cultural Council, a local agency which is supported by the Massachusetts Cultural Council, a state agency.
The ohrenhoch Sundays 2015 are supported by Initiative Neue Musik Berlin e.V. and Konzert des Deutschen Musikrates]

   

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