• Baby-Nachttropfendrache
    Baby-Nachttropfendrache
    Nur für kurze Zeit: Sparen Sie ganze 15%!
    Geben Sie hierfür folgenden Gutschein-Code bei der Bestellung ein: save15now
  • ohrenhoch kids - Comic
    ohrenhoch kids - Comic "soundmap"
    Online Comic auf http://comic.ohrenhoch.org/ - Illustration von Knut Remond
  • ohrenhochSonntage
    ohrenhochSonntage
    Eintritt frei!
  • SoundGallery
    SoundGallery
    Videos, Sound installation und Handbag Electronics - alle Informationen rund um die Hörgalerie finden Sie hier!
  • Workshops
    Workshops
    Alle Informationen rund um die Workshop Kooperationen finden Sie hier!
  • picture,score,video
    picture,score,video
  • "smell of growing hair" Nobuko Hori
    Ein Sound und eine kleine visuelle Installation, inspiriert von meinen alten Tonbändern aus meiner Kindheit.
    Soundloop und Installation
    von Nobuko Hori
    Assistenz: Kyoka
  • Live-Acts
    Live-Acts
    ohrenhoch bietet auch eine Plattform für Live Performances
    Voraussetzung ist, dass das benutzte Material für Live-Elektronik, in einem Handtäschchen Platz hat Grösse 30 x 30 x 10 cm.
  • Soundinstallation
    Soundinstallation
    Portrait: Jo Thomas-'plugged" von Ute Safrin
    'Timepiece (Berlin, September, 2010)'
    Soundinstallation - für ohrenhoch
    von Thom Blum
  • Beton_Zeitfresser
    Beton_Zeitfresser
  • PHONPIXMIX
    PHONPIXMIX
    ohrenhoch.tv
    January 28 - 30, 2011
  • ohrenhoch_Kids
    ohrenhoch_Kids
    radio play
  • KYOKA_HONDA
    KYOKA_HONDA
    SOUND_INSTALLATION
    14. 21 AUGUST
  • .
    .
  • Kyoka_HONDA
    Kyoka_HONDA
    Sound Cape 1 u. 2
    14 u. 21 August 2011
  • .
    .
    28.8._4.9.2011
  • ohrenhoch_Land
    ohrenhoch_Land
    ohrenhoch_Kids
    June 17-19, 2011
  • ohrenhoch_Land
    ohrenhoch_Land
    ohrenhoch_Kids
    June 17-19, 2011
  • .
    .
    live performance
  • Sunday
    Sunday
  • BABY FUN
    BABY FUN
    ohrenhoch_Kids youngsters 2012
    Samstag 24. März, 18 - 21 Uhr
    Sonntag 25. März, 14 - 21 Uhr
    und am Sonntag 1. April 2012, 14 - 21 Uhr:
  • 2pm_9pm
    2pm_9pm
    every Sunday
  • SoundCake
    SoundCake
    ohrenhoch - Kids and Knut Remond
  • ohrenhochTV
    ohrenhochTV
    livestream:
    live am Sonntag 11. Dezember 2011, 21:00 Uhr
  • Tape music
    Tape music
    Every Sunday 2pm - 9pm
  • 2pm_9pm
    2pm_9pm
    Sunday 5.2 und 12.2 2012
  • Home, Premiere
    Home, Premiere
    Sunday 19 and 26 February 2012, 2pm - 9pm:
  • Trinity
    Trinity
    4 u.11 März 14:00-21:00 Uhr
  • feedback
    feedback
    ohrenhoch' launches an additional presentation platform named "feedback".
  • +
    +
    Sound Objekte Sonntag 18. März 2012, 14 - 21 Uhr:
  • Baby Fun
    Baby Fun
    Samstag 24. März, 18 - 21 Uhr
    Sonntag 25. März, 14 - 21 Uhr
    und am Sonntag 1. April 2012, 14 - 21 Uhr
  • Wunderkammer
    Wunderkammer
    Sonntag 22 and 29 April 2012
  •  _
    _
    Dariusz Mazurowski_pseudaria,ohr/ohrenhoch
  • klanginstallation
    klanginstallation
    Sunday 2 pm - 9pm
  • 15 and 22 Juli 2012
    15 and 22 Juli 2012
    Tape and Scores
  • 29 Juli und 5 August
    29 Juli und 5 August
    2012
  • sunday 12 and 19 august
    sunday 12 and 19 august
    electroacoustic music with video
  • Neele Hülcker
    Neele Hülcker
    Sunday 26 and 2 September 2012
  • TAPEMUSIC
    TAPEMUSIC
    Sunday 9 and 16 September 2012
  • 23 and 30 September 2012  2pm - 9pm
    23 and 30 September 2012 2pm - 9pm
    NEW SPEAKER Installation
  • 3,4 and 11 November
    3,4 and 11 November
    Sound_Installation
  • Sunday 18 and 25 November
    Sunday 18 and 25 November
    Every Sunday 2pm - 9pm
  • Ulrich Ludat
    Ulrich Ludat
    2 und 9 Dezember 14:00 - 21:00 Uhr
  • PREMIERE
    PREMIERE
    Every Sunday 16 and 23 December
  • 2pm - 9pm
    2pm - 9pm
    Sunday 6 and 13 January 2013
  • Zu hören am Sonntag 20. und 27. Januar 2013, 14 - 21 Uhr
    Zu hören am Sonntag 20. und 27. Januar 2013, 14 - 21 Uhr
    Every Sunday 2pm - 9pm
  • Sunday 3 and 10 February 2013
    Sunday 3 and 10 February 2013
    Every Sunday 2pm - 9pm
  • Sunday 17 and 24 February 2013
    Sunday 17 and 24 February 2013
    Tapemusic
  • BASSBOX with 5 Loudspeaker
    BASSBOX with 5 Loudspeaker
    Loudspeaker-Installation
  • 3 and 10 March 2013
    3 and 10 March 2013
    Shahrokh Yadegari "Invitable" Worldpremiere
  • Dean Rosenthal
    Dean Rosenthal
    Sunday 2pm - 9pm
  • ohrenhoch-Kids
    ohrenhoch-Kids
    Frühlingserwachen: Samstag 23 März 17:00-21:00 Uhr
    ohrenhoch_Sonntage: 24 u. 31 März 2013
  • for
    for "BASSBOX"
    Sunday 14 and 21 April
    Sunday 28 April and 5 May 2013
  • part two
    part two
    SUNDAY 28 April and 5 May 2013
  • 12 and 19 May 2013
    12 and 19 May 2013
    Every Sunday 2pm-9pm
  • Sunday 26 May and 2 June
    Sunday 26 May and 2 June
    Every Sunday 2pm - 9pm
  • with Knut Remond
    with Knut Remond
    Sunday 9 June 2013/Time:15:00_17:00_19:00
  • :-)
    :-)
    Freitag 14 Juni 19:00-23:00 Uhr
    Samstag 15 Juni 14:00-22:00 Uhr
    Sonntag 16 Juni 14:00-19:00 Uhr
  • LEBENSPROJEKT
    LEBENSPROJEKT
    Sunday 7 and 14 July 2013
  • 21 und 28 Juli 2013
    21 und 28 Juli 2013
    SOUND ± VIDEO
  • Sound-Installation with special Booklet
    Sound-Installation with special Booklet
    Every Sunday 2pm-9pm
  • Premiere 4 und 11 August 2013
    Premiere 4 und 11 August 2013
    Every Sunday 2pm-9pm
  • Sunday 18 + 25 August 2013
    Sunday 18 + 25 August 2013
    Every Sunday 2pm-9pm
  • =
    =
    Every Sunday 2pm-9pm
  • SOUNDSCAPE-PHOTO INSTALLATION
    SOUNDSCAPE-PHOTO INSTALLATION
    Sunday 15 and 22 September 2013
    2pm-9pm
  • Sound and Booklets
    Sound and Booklets
    Every Sunday 2pm-9pm
  • Sonntag 29 September 2013
    Sonntag 29 September 2013
    Mitarbeit an einer Komposition nur am Sonntag 29 September 14:00-21:00 Uhr
  • Tape with Score
    Tape with Score
    Sunday 6 and 13 October 2013
    2pm - 9pm
  • ich und...? Tonbandstück
    ich und...? Tonbandstück
    Sunday 20 and 27 Ocober 2pm-9pm 2013
  • Video_Installation
    Video_Installation
    Samstag 2.November 18:00-23:00 Uhr und 3/10November 14:00-21:00 Uhr
  • Video_Installation
    Video_Installation
    Sunday 10. November, 2pm-9pm 2013
  • echoic memory
    echoic memory
    Martyna Poznańska
    Sunday 17 and 24 and 1 December 2013,
    2pm - 9pm
  • 8 and 15 December 2013
    8 and 15 December 2013
    Live-Audiostream Soundstück (Uraufführung)
    18:00 - 21:00 Uhr im Schaufensterraum
  • LIVE AUDIOSTREAM
    LIVE AUDIOSTREAM
    8 und 15 Dezember:18:00-21:00 Uhr
    8 and 15 December: 6pm-9pm
  • TAGE I I I
    TAGE I I I
    Sunday 22 and 29 December 2013
    special: 22 Dec: 2am-9am and 2pm-9pm
  • THE FIRST 2014
    THE FIRST 2014
    Sonntag 5 und 12 Januar 2014
    14:00-21:00 Uhr
  • AUDIOFIELDREPORT
    AUDIOFIELDREPORT
    New edition 2014
  • 19 and 26 January 2pm-9pm 2014
    19 and 26 January 2pm-9pm 2014
    Sound and Video Installation
  • 2 and 9 February 2014
    2 and 9 February 2014
  • 16 and 23 February 2014
    16 and 23 February 2014
    world premiere!!
  • Sunday 2 march 2pm-9pm
    Sunday 2 march 2pm-9pm
    grand opening
  • Sunday 9 and 16 march 2014
    Sunday 9 and 16 march 2014
    special mix for ohrenhoch
  • The electroacoustic composer:
    The electroacoustic composer:
    The title itself comes from a declaration she made during an interview saying that some
    actor once said that kissing her was like kissing Hitler.

    What sound accompanied Marilyn Monroe’s death ?

    Sunday 23 and 30 March 2pm-9pm 2014
  • Video and Soundinstallation
    Video and Soundinstallation
    Sunday 6 and 13 April 2014
  • killAmor
    killAmor
    Sunday 20 and 27 April 2014
  • Sunday 4 and 11 May 2014
    Sunday 4 and 11 May 2014
    "I will call you with birds names"
  • Sunday 4 and 11 May 2pm-9pm 2014
    Sunday 4 and 11 May 2pm-9pm 2014
    Meeting and twittering birds experiment with Prune Bécheau at 6pm
  • Sunday 18 & 25 May 2014
    Sunday 18 & 25 May 2014
    Every Sunday 2pm-9pm
  • TAPE-MUSIC
    TAPE-MUSIC
    Sunday 1 and 8 june 2pm-9pm
  • Louise K. Wilson
    Louise K. Wilson
    Sunday: 15 and 22 June 2pm-9pm
    2014
  • 48Std.Neukölln 2014
    48Std.Neukölln 2014
    Freitag 27. Juni-Sonntag 29 Juni
    19:00-23:00/14:00-23:00/14:00-19:00 Uhr
  • "I"
    Annabel Frearson Sunday 13. and 20. July 2014, 2pm - 9 pm
  • Fieldrecording
    Fieldrecording
    Sunday 27 July and 3 August 2pm-9pm 2014
  • °
    °
    "Touch" Sunday 10 and 17 August 2014
    2pm-9pm
  • Sound-Installation 2 pm - 9 pm
    Sound-Installation 2 pm - 9 pm
    Martin Daske + Kg Augenstern (Christiane Prehn und Wolfgang Meyer)
    Sonntag 24. und 31. August
    Sonntag 7. und 14. September
    2014
  •  Schiff 014
    Schiff 014
    Video-Livestream-
    Installation
    Sunday 7 and 14
    September 2014
    2pm-9pm
  • docu-music
    docu-music
    Sunday 21 and 28 September 2014
    2pm - 9 pm
  • Tape-Music
    Tape-Music
    Sunday 5 and 12 October 2014
    2pm-9pm
  • Klang-Installation
    Klang-Installation
    Sonntag 19. und 26. Oktober 2014
    14:00-21:00 Uhr
  • Sound-Installation
    Sound-Installation
    Sunday 19 and 26 October 2014
    2 pm 9 pm
  • Dok.Sound
    Dok.Sound
    Samstag 1. November 19:00-23:00 Uhr (NachtundNebel)
    Sonntag 2. und 9. November 14:00-21:00 Uhr
  • TapeMusic
    TapeMusic
    Sunday 16 and 23 November 2014
    2 pm-9 pm
  • PERFORMANCE
    PERFORMANCE
    Freitag 28 November 21:00 Uhr
    Plätze Reservieren
    info@ohrenhoch.org
  • Matthias Kranebitter
    Matthias Kranebitter "survival of the fittest"
    Sonntag: 30 November und 7 Dezember 2014
  • Neele Hülcker + Elisabeth R. Hager
    Neele Hülcker + Elisabeth R. Hager
    Sonntag 14, 21 und 28 Dezember 2014
    14:00-21:00 Uhr
  • Soundactivism 2015
    Soundactivism 2015
    at ohrenhoch in 2015 the platform "soundactivism" will be installed!
    im ohrenhoch wird 2015 die plattform "soundactivism" installiert! 
  • Soundactivism
    Soundactivism
    Sonntag 4 und 11 Januar 2015
    Sunday 4 and 11. January 2015
  • soundactivism
    soundactivism
    Sunday 18 and 25 January 2pm-9pm / 2015
  • SOUND-INSTALLATION
    SOUND-INSTALLATION
    Sunday 1 and 8 February 2 pm-9 pm
    2015
  • "outcry" Knut Remond
    Sunday 15 an 22 February 2015
    2 pm - 9 pm
  • FIELDRECORDINGS
    FIELDRECORDINGS
    Sunday 1 + 8 March 2 pm - 9 pm 2015
  • Maggie Payne
    Maggie Payne
    Sunday: 15 + 22 March
    2 pm - 9 pm
  • Installation für einen einzelnen Gast.
    Installation für einen einzelnen Gast.
    Sunday 29 Mars + 5 April 2 pm -9 pm 2015
German (DE-CH-AT)English (United Kingdom)

News

SOUND ACTIVISM

2015, ohrenhoch der Geräuschladen

We are pleased to inform you that in 2015 'ohrenhoch der Geräuschladen' will deal with the question "Sound activism" in the most diverse facets, and thereto will make signals like:

What can sound activate?
Trigger what?
Does ist have to be political?

Is language unavoidable?
Fathom the agency of the acoustic.
A hearing enlightenment.
(Excerpt from the text "Sound activism" by Knut Remond and Isabella Zamboni)

Martyna Poznanska will be starting on Sunday 4 and 11 January 2015 with her sound installation "Salt-Sculpting", which is special also in the sense that it will be present at ohrenhoch throughout the year 2015.

18 and 25 January 2015: "Meine-Welt-Musik – 2. Symphonie" Op.148/2013 by Dieter Kaufmann

1 and 8 February 2015: "Syria..as my mother speaks" by Christine Gedeon with sound artist Bent Bøgedal Christoffersen.

15 and 22 February 2015: "outcry" for Bassbox loudspeaker installation, by Knut Remond

1 and 8 March 2015: "MOSCOW - (M)y Swo(O)ning (S)ends out (C)old (W)armth", by Elisabeth Schimana

15 and 22 March 2015: "Black Ice" by Maggi Payne

29 March and 5 April: "Labor in the Territory of Hawaii, 1939" Installation for a single visitor, by Ludwig Abraham

 

To Hawaii | Ludwig Abraham

ohrenhoch presents on Sunday 29 March and 5 April 2015, 2pm - 9pm:

LABOR IN THE TERRITORY OF HAWAII, 1939

Installation for a single visitor
(2015, Premiere)

by Ludwig Abraham

Ludwig Abraham on 'Labor in the Territory of Hawaii, 1939':

Working with different accoustical triggers, on the question if one sound or an accoustic environment can provoque a certain reaction, how these reactions manipulate and can be manipulated. Recordings of abandonend halls and swimming pools, basements and living rooms, spaces people live in and some that have been forgotten. Interviews and actions in these rooms. Montage, recontextualizing, sound design.

„The word Hawaii, to the average person, conveys two ideas — a tourist paradise, and a powerful national outpost. Although these impressions are not incorrect, they are decidedly incomplete. The purpose of this ______ is to portray an aspect of these islands concerning which there are many misconceptions. It has to do with significant features of the economy of the islands; with the relations between those who live there and the basic industries, and, in particular, with statistical details regarding wages, hours, and working conditions.“

This piece is supported by Georg Neumann GmbH.

Ludwig Abraham lives in Essen, develops actions, music, text and pictures. Focus on context, performativity, disturbance, pop. Studied Arts, Music and Media at Philipps- University Marburg, instrumental and electronic composition at Folkwang University of the Arts. Since 2012 part of NEUER TANZ as performer, composer and sound engineer, touring across europe an beyond (for example Stadsschouwburg Amsterdam, Théâtre de la Ville Paris, Théâtre National de Bretagne). Own pieces at the ZKM Karlsruhe, Staatstheater Darmstadt, Cité Internationale Universitaire de Paris, Folkwang Museum in Essen. In 2015 concerts in the USA and England. Artistic director of the group Wald.

Website Ludwig Abraham

   

Moog IIIP modular synthesizer | Photo Maggi Payne

To hear on Sunday 15 and 2 March 2015, 2pm - 9pm:

Black Ice

(2014, European Premiere)

by Maggi Payne

Loudspeaker installation, curator: Knut Remond

Maggi Payne on 'Black Ice' [20 min.]:

Although I’ve used bits and pieces of sounds I created using the Moog synthesizer in my recent work from time to time, I had an overwhelming urge to escape into the Moog IIIP studio at Mills College in mid-December to spend some quality time generating sounds to a pair of Sound Devices. It‘s fascinating to me just how flexible that instrument is.

As with any fine instrument, it fundamentally remains the same, but the way one approaches the instrument changes considerably over time. Its open architecture has allowed quite varied aesthetic and technical approaches to the instrument over the decades since it was first built.

This work is an exploration of space and time, and especially of depth and height. Layers frequently shift, as demonstrated in the beginning where crackling is so present—almost seeming to emanate from the listener. The underlay provides a distanced atmosphere, almost a nebula, that moves towards, through, then past the listener, passing through the crackles while modifying their molecular structure and turning them to mist as they slowly recede.

All of the sounds are generated by the Moog. Many are raw; some are further actively eq’d to provide a further dynamic quality to the work.

Relating to the question "sound activism" with which ohrenhoch deals in 2015, Maggi Payne writes:
"Sound activates the space that we, and other animals, occupy. It provides an ever-changing atmosphere that we experience in varying degrees, according to how attentive we are to the sonic environment in which we exist. Sound activates the mind, the imagination, the creativity within us, and in a way, brings us all together in the sonic space that we share. It enriches our lives, even when we’re overtly unaware of its existence."

Maggi Payne 
Composer, Recording Engineer, Flutist, Video Artist 

Maggi Payne is Co-Director (since 1992) of the Center for Contemporary Music at Mills College, Oakland, CA, where she teaches recording engineering, composition, and electronic music. She also freelances as a recording engineer and editor and a historical remastering engineer.

Her electroacoustic works often include visual elements which she creates, including video, dance, transparencies, and film. She enjoys collaborating with other artists and has worked with video artist Ed Tannenbaum for over twenty years. She is also a flutist, and has written several works for flute as well as other acoustic instruments.

She has had performances of her works throughout the Americas, Europe, Japan, and Australasia. She received two Composer's Grants and an Interdisciplinary Arts Grant from the National Endowment for the Arts and video grants from the Western States Regional Media Arts Fellowships Program and the Mellon Foundation. She received four honorary mentions from Bourges, and one from Prix Ars Electronica, and was an Artist in Residence at the Exploratorium in San Francisco and the Montalvo Arts Center in Saratoga, CA.

Website Maggi Payne

 

MOSKWA | Photo: Elisabeth Schimana

To hear on Sunday 1 and 8 March 2015, 2pm - 9pm:

MOSCOW

(M)y Swo(O)ning (S)ends out (CO)ld (W)armth

Radioart (2005, German Premiere)
by Elisabeth Schimana 

Loudspeaker installation, curator: Knut Remond

Elisabeth Schimana on 'MOSCOW':

Heartless City, 
a Love Story

Two years of living in Moscow and still it seems impossible to find the right words for this city. A city of contrasts, of overlapping and colliding systems. With unrelenting harshness. The droning sound of the subway gives way to winter landscapes of freshly fallen snow and their muted acoustics. Chimes amid the constant din of the city. Birds' twittering at the bird market and in the inner courtyards. Archetypical electronic instruments like the ANS synthesizer, rhythmicon and theremin. And the russian soul. 

All sound material recorded by Elisabeth Schimana, 2001 to 2005 
Sound engineers: Martin Leitner und Anna Kuncio 
Produced by ORF Kunstradio

Relating to the question "sound activism" with which ohrenhoch deals in 2015, Elisabeth Schimana writes (Translated from German by K. Moos):

MOSKWA renounces language and still tells a very intimate love story
MOSKWA renounces any fashionably refined sound processing, the material remains raw and dirty and in this rawness of the sounds is the living thing
MOSKWA wanders acoustically through colliding systems
MOSKWA for some triggers a recognition, a social conjointness with the sounds, and for others an astonishment, a curiosity
Hearing MOSKWA can but doesn't have to be political, since WHEN and for WHOM does a sound get political?

Elisabeth Schimana
has been working as a composer, performer and radio artist since 1983. 
She studied electro-acoustics and experimental music at the University of Music and Performing Arts Vienna, computermusic-composition at the IEM, Graz and musicology and ethnology at the University of Vienna. Her work concentrated for many years on space / body / electronic. She has ongoing cooperations with the Austrian Kunstradio. She also focus on research in the field of woman, art and technology. Founded IMA Institut of Media Archeology.

Website Elisabeth Schimana

Texts by and about Elisabeth Schimana

IMA Institut of Media Archeology

   

Page 1 of 9