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  • ohrenhoch kids - Comic
    ohrenhoch kids - Comic "soundmap"
    Online Comic auf http://comic.ohrenhoch.org/ - Illustration von Knut Remond
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    ohrenhochSonntage
    Eintritt frei!
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    Videos, Sound installation und Handbag Electronics - alle Informationen rund um die Hörgalerie finden Sie hier!
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    picture,score,video
  • "smell of growing hair" Nobuko Hori
    Ein Sound und eine kleine visuelle Installation, inspiriert von meinen alten Tonbändern aus meiner Kindheit.
    Soundloop und Installation
    von Nobuko Hori
    Assistenz: Kyoka
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    'Timepiece (Berlin, September, 2010)'
    Soundinstallation - für ohrenhoch
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    PHONPIXMIX
    ohrenhoch.tv
    January 28 - 30, 2011
  • ohrenhoch_Kids
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    KYOKA_HONDA
    SOUND_INSTALLATION
    14. 21 AUGUST
  • .
    .
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    .
    28.8._4.9.2011
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    ohrenhoch_Kids
    June 17-19, 2011
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    ohrenhoch_Land
    ohrenhoch_Kids
    June 17-19, 2011
  • .
    .
    live performance
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    Sunday
  • BABY FUN
    BABY FUN
    ohrenhoch_Kids youngsters 2012
    Samstag 24. März, 18 - 21 Uhr
    Sonntag 25. März, 14 - 21 Uhr
    und am Sonntag 1. April 2012, 14 - 21 Uhr:
  • 2pm_9pm
    2pm_9pm
    every Sunday
  • SoundCake
    SoundCake
    ohrenhoch - Kids and Knut Remond
  • ohrenhochTV
    ohrenhochTV
    livestream:
    live am Sonntag 11. Dezember 2011, 21:00 Uhr
  • Tape music
    Tape music
    Every Sunday 2pm - 9pm
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    Sunday 5.2 und 12.2 2012
  • Home, Premiere
    Home, Premiere
    Sunday 19 and 26 February 2012, 2pm - 9pm:
  • Trinity
    Trinity
    4 u.11 März 14:00-21:00 Uhr
  • feedback
    feedback
    ohrenhoch' launches an additional presentation platform named "feedback".
  • +
    +
    Sound Objekte Sonntag 18. März 2012, 14 - 21 Uhr:
  • Baby Fun
    Baby Fun
    Samstag 24. März, 18 - 21 Uhr
    Sonntag 25. März, 14 - 21 Uhr
    und am Sonntag 1. April 2012, 14 - 21 Uhr
  • Wunderkammer
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    Sonntag 22 and 29 April 2012
  •  _
    _
    Dariusz Mazurowski_pseudaria,ohr/ohrenhoch
  • klanginstallation
    klanginstallation
    Sunday 2 pm - 9pm
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    15 and 22 Juli 2012
    Tape and Scores
  • 29 Juli und 5 August
    29 Juli und 5 August
    2012
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    sunday 12 and 19 august
    electroacoustic music with video
  • Neele Hülcker
    Neele Hülcker
    Sunday 26 and 2 September 2012
  • TAPEMUSIC
    TAPEMUSIC
    Sunday 9 and 16 September 2012
  • 23 and 30 September 2012  2pm - 9pm
    23 and 30 September 2012 2pm - 9pm
    NEW SPEAKER Installation
  • 3,4 and 11 November
    3,4 and 11 November
    Sound_Installation
  • Sunday 18 and 25 November
    Sunday 18 and 25 November
    Every Sunday 2pm - 9pm
  • Ulrich Ludat
    Ulrich Ludat
    2 und 9 Dezember 14:00 - 21:00 Uhr
  • PREMIERE
    PREMIERE
    Every Sunday 16 and 23 December
  • 2pm - 9pm
    2pm - 9pm
    Sunday 6 and 13 January 2013
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    Zu hören am Sonntag 20. und 27. Januar 2013, 14 - 21 Uhr
    Every Sunday 2pm - 9pm
  • Sunday 3 and 10 February 2013
    Sunday 3 and 10 February 2013
    Every Sunday 2pm - 9pm
  • Sunday 17 and 24 February 2013
    Sunday 17 and 24 February 2013
    Tapemusic
  • BASSBOX with 5 Loudspeaker
    BASSBOX with 5 Loudspeaker
    Loudspeaker-Installation
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    3 and 10 March 2013
    Shahrokh Yadegari "Invitable" Worldpremiere
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    Frühlingserwachen: Samstag 23 März 17:00-21:00 Uhr
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    SUNDAY 28 April and 5 May 2013
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    Sunday 9 June 2013/Time:15:00_17:00_19:00
  • :-)
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    Freitag 14 Juni 19:00-23:00 Uhr
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    Premiere 4 und 11 August 2013
    Every Sunday 2pm-9pm
  • Sunday 18 + 25 August 2013
    Sunday 18 + 25 August 2013
    Every Sunday 2pm-9pm
  • =
    =
    Every Sunday 2pm-9pm
  • SOUNDSCAPE-PHOTO INSTALLATION
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    Sunday 15 and 22 September 2013
    2pm-9pm
  • Sound and Booklets
    Sound and Booklets
    Every Sunday 2pm-9pm
  • Sonntag 29 September 2013
    Sonntag 29 September 2013
    Mitarbeit an einer Komposition nur am Sonntag 29 September 14:00-21:00 Uhr
  • Tape with Score
    Tape with Score
    Sunday 6 and 13 October 2013
    2pm - 9pm
  • ich und...? Tonbandstück
    ich und...? Tonbandstück
    Sunday 20 and 27 Ocober 2pm-9pm 2013
  • Video_Installation
    Video_Installation
    Samstag 2.November 18:00-23:00 Uhr und 3/10November 14:00-21:00 Uhr
  • Video_Installation
    Video_Installation
    Sunday 10. November, 2pm-9pm 2013
  • echoic memory
    echoic memory
    Martyna Poznańska
    Sunday 17 and 24 and 1 December 2013,
    2pm - 9pm
  • 8 and 15 December 2013
    8 and 15 December 2013
    Live-Audiostream Soundstück (Uraufführung)
    18:00 - 21:00 Uhr im Schaufensterraum
  • LIVE AUDIOSTREAM
    LIVE AUDIOSTREAM
    8 und 15 Dezember:18:00-21:00 Uhr
    8 and 15 December: 6pm-9pm
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    TAGE I I I
    Sunday 22 and 29 December 2013
    special: 22 Dec: 2am-9am and 2pm-9pm
  • THE FIRST 2014
    THE FIRST 2014
    Sonntag 5 und 12 Januar 2014
    14:00-21:00 Uhr
  • AUDIOFIELDREPORT
    AUDIOFIELDREPORT
    New edition 2014
  • 19 and 26 January 2pm-9pm 2014
    19 and 26 January 2pm-9pm 2014
    Sound and Video Installation
  • 2 and 9 February 2014
    2 and 9 February 2014
  • 16 and 23 February 2014
    16 and 23 February 2014
    world premiere!!
  • Sunday 2 march 2pm-9pm
    Sunday 2 march 2pm-9pm
    grand opening
  • Sunday 9 and 16 march 2014
    Sunday 9 and 16 march 2014
    special mix for ohrenhoch
  • The electroacoustic composer:
    The electroacoustic composer:
    The title itself comes from a declaration she made during an interview saying that some
    actor once said that kissing her was like kissing Hitler.

    What sound accompanied Marilyn Monroe’s death ?

    Sunday 23 and 30 March 2pm-9pm 2014
  • Video and Soundinstallation
    Video and Soundinstallation
    Sunday 6 and 13 April 2014
  • killAmor
    killAmor
    Sunday 20 and 27 April 2014
  • Sunday 4 and 11 May 2014
    Sunday 4 and 11 May 2014
    "I will call you with birds names"
  • Sunday 4 and 11 May 2pm-9pm 2014
    Sunday 4 and 11 May 2pm-9pm 2014
    Meeting and twittering birds experiment with Prune Bécheau at 6pm
  • Sunday 18 & 25 May 2014
    Sunday 18 & 25 May 2014
    Every Sunday 2pm-9pm
  • TAPE-MUSIC
    TAPE-MUSIC
    Sunday 1 and 8 june 2pm-9pm
  • Louise K. Wilson
    Louise K. Wilson
    Sunday: 15 and 22 June 2pm-9pm
    2014
  • 48Std.Neukölln 2014
    48Std.Neukölln 2014
    Freitag 27. Juni-Sonntag 29 Juni
    19:00-23:00/14:00-23:00/14:00-19:00 Uhr
  • "I"
    Annabel Frearson Sunday 13. and 20. July 2014, 2pm - 9 pm
  • Fieldrecording
    Fieldrecording
    Sunday 27 July and 3 August 2pm-9pm 2014
  • °
    °
    "Touch" Sunday 10 and 17 August 2014
    2pm-9pm
  • Sound-Installation 2 pm - 9 pm
    Sound-Installation 2 pm - 9 pm
    Martin Daske + Kg Augenstern (Christiane Prehn und Wolfgang Meyer)
    Sonntag 24. und 31. August
    Sonntag 7. und 14. September
    2014
  •  Schiff 014
    Schiff 014
    Video-Livestream-
    Installation
    Sunday 7 and 14
    September 2014
    2pm-9pm
  • docu-music
    docu-music
    Sunday 21 and 28 September 2014
    2pm - 9 pm
  • Tape-Music
    Tape-Music
    Sunday 5 and 12 October 2014
    2pm-9pm
  • Klang-Installation
    Klang-Installation
    Sonntag 19. und 26. Oktober 2014
    14:00-21:00 Uhr
  • Sound-Installation
    Sound-Installation
    Sunday 19 and 26 October 2014
    2 pm 9 pm
  • Dok.Sound
    Dok.Sound
    Samstag 1. November 19:00-23:00 Uhr (NachtundNebel)
    Sonntag 2. und 9. November 14:00-21:00 Uhr
  • TapeMusic
    TapeMusic
    Sunday 16 and 23 November 2014
    2 pm-9 pm
  • PERFORMANCE
    PERFORMANCE
    Freitag 28 November 21:00 Uhr
    Plätze Reservieren
    info@ohrenhoch.org
  • Matthias Kranebitter
    Matthias Kranebitter "survival of the fittest"
    Sonntag: 30 November und 7 Dezember 2014
  • Neele Hülcker + Elisabeth R. Hager
    Neele Hülcker + Elisabeth R. Hager
    Sonntag 14, 21 und 28 Dezember 2014
    14:00-21:00 Uhr
  • Soundactivism 2015
    Soundactivism 2015
    at ohrenhoch in 2015 the platform "soundactivism" will be installed!
    im ohrenhoch wird 2015 die plattform "soundactivism" installiert! 
  • Soundactivism
    Soundactivism
    Sonntag 4 und 11 Januar 2015
    Sunday 4 and 11. January 2015
  • soundactivism
    soundactivism
    Sunday 18 and 25 January 2pm-9pm / 2015
German (DE-CH-AT)English (United Kingdom)

News

SOUND ACTIVISM

2015, ohrenhoch der Geräuschladen

We are pleased to inform you that in 2015 'ohrenhoch der Geräuschladen' will deal with the question "Sound activism" in the most diverse facets, and thereto will make signals like:

What can sound activate?
Trigger what?
Does ist have to be political?

Is language unavoidable?
Fathom the agency of the acoustic.
A hearing enlightenment.
(Excerpt from the text "Sound activism" by Knut Remond and Isabella Zamboni)

Martyna Poznanska will be starting on Sunday 4 and 11 January 2015 with her sound installation "Salt-Sculpting", which is special also in the sense that it will be present at ohrenhoch throughout the year 2015.

18 and 25 January: "Meine-Welt-Musik – 2. Symphonie" Op.148/2013 by Dieter Kaufmann

 

 

Dieter Kaufmann | Photo Clara Kaufmann

ohrenhoch presents on Sunday 18 and 25 January 2015, 2pm - 9pm:

Meine-Welt-Musik – 2. Symphonie

(Op.148/2013, German Premiere)

by Dieter Kaufmann

Dieter Kaufmann on 'Meine-Welt-Musik' [35:00]:

A sound journey through countries and times with original recordings from France, Sweden, Iceland, Egypt, Algeria, Taiwan and Austria, music from different times and cultures (Schumann, Dufay, Codex Montpellier, muezzin calls, swedish quatrains), languages of men and animals (water birds, hen house, crows, goats), wind and water. The simultaneity of the anachronistic, the simultaneousness of the incompatible, the multiculturality through times and spaces. How modest are Schumann's Scenes from Childhood (Of Foreign Lands and People)! With one single melody the child sets forth to discover the world. Laden with the garbage of history it goes back, grown older. A musical audio play.

Relating to the question "sound activism" ohrenhoch deals with in 2015, Dieter Kaufmann writes:

"foreign – familiar"
The sounds of my world may be foreign for others.

I express this process of alienation with the familiar by means of technical "exaggerations" (detuning, accumulation, sharpening...), time after time.
My wish is to contribute through "meditative" hearing to accepting the foreign, and through critical hearing to distance from the familiar.

[Translation from German: Katharina Moos]

Dieter Kaufmann
1941 born in Vienna, grew up in Carinthia, studied composition and electro-acoustic music in Vienna under Karl Schiske and Gottfried von Einem and in Paris under Olivier Messiaen, René Leibowitz, Pierre Schaeffer and François Bayle. From 1970 to 2006 Kaufmann has taught at the University of Music and Performing Arts of Vienna two master classes, one in composition (since 1990) and one in electro-acoustic composition (since 1997). Since 2001 he has been president of the Society for Composers’ Mechanical Rights, Austro-Mechana.
In 1975 with his wife Gunda König he founded the „K&K Experimentalstudio“. This musical theater ensemble has made numerous tours in Europe, North and Latin America, Egypt and Taiwan. From 1982 – 87 K&K had its own series on ORF, Austrian state radio: „What shall I do with the sound in my hand?“
Kaufmann has composed works in several fields of music: chamber music, symphonic music, vocal music, musical theatre (six operas and number of multi-media works), electro-acoustic music and live electronic music as well as in the applied arts. He has won numerous national and international prizes, including Ernst Krenek Prize of the City of Vienna, the Prix Magisterium de Bourges/France, the Carinthian Kulturpreis and the Music Award of the Republic of Austria.

Website Dieter Kaufmann und Gunda König


   

Martyna Poznańska | Photo: Gregor Pfeffer

ohrenhoch presents on Sunday 4 and 11 January 2015, 2pm - 9pm:

Salt-Sculpting

(A Tribute to Max Eastley)
by Martyna Poznańska

Curator: Knut Remond

Martyna Poznańska on 'Salt-Sculpting':

Salt plays several different roles on the earth, in nature and in human life.
It can be a powerful destructor or a preservation aid, a savior, or a cure.

The glass tube contains the salt solution. The motor vibrates the string creating a drone. While the water evaporates throughout the days,  the string gradually becomes a skeleton for the salt crystals to grow all over it. 

This sound installation explores the process of transformation and change of the state of matter.

Allowing the liquid to evaporate from the salt solution, the growth of the salt crystals is enabled.
What seems to appear as dying/decaying is actually just a process of transformation into a new form. The salt elements gain their bodily presence. The particles previously convoluted individually in the solution, now intertwine strongly with each other creating a new force in the unity of the crystals.

The Salt-sculpting installation has been re-created in response to ohrenhoch-der Gerauschladen theme of the year 2015 - sound activism. The process of transformation enabled within the installation serves as a micro-scale observatory in which the visitor not only observes but also influences the process. Presence of the body in the space, every breath, movement or sound triggers a mutual exchange, contributes to the process of salt-sculpting. The change is not instantaneous or sudden it remains in the growth, it needs the right amount of time, it needs the right conditions. It is not spectacular but it emerges gradually. It leads us to the origins of the act of participation (lat. participare - to take part) and being in the world. In contrast the simultaneous solidification and fracture of personal and collective identity, and the advance of technology and bureaucracy combined with an increasing philosophical skepticism towards truth and subjectivity we experience nowadays.
The Salt - Sculpting is a combination of the fragility of sound and the strength of the crystal.  It reflects upon power and vulnerability, gain and loss. It's an introduction to the poetics of change.

Special thanks to: Kris Poznanski, Jakob Motter, Dirk Zozmann, Hans Peter Kuhn, Peter Cusack, Ecki Guether and Thomas Eisl .

Martyna Poznańska is an artist who works with sound, image and performance. Her research focuses upon performative noise reduction, industrial and urban atmospheres (field recordings practice). In her installations she investigates the themes of remembering and forgetting, growth, decay and tranformation. 

She studied voice at the Laboratory of Olga Szwajgier and Sound Art at The University of the Arts London.  Currently she's a student of  MA Sound Studies at the University of The Arts Berlin.

Commissions include Spor Festival 2013 (Dk), AudioArt Festival 2012 (Pl) and dance sound-scores for  The Place (London), Dam Van Huynh Company.  She has also shown her works at the ORF Graz (Au), ohrenhoch-der Gerauschladen in Berlin, Deutsche Oper Berlin.In 2013 she was the recipient of a grant from the Polish Ministry of Culture.

She lives and works in Berlin and London.

Website of Martyna Poznańska

 

TAGE IV | Neele Hülcker und Elisabeth R. Hager | artwork Knut Remond

To hear on Sunday 14, 21 and 28 December 2014, 2pm - 9pm:

TAGE IV

Lifetime project
by Neele Hülcker and Elisabeth R. Hager

Curator, loudspeaker installation: Knut Remond

'ohrenhoch, der Geräuschladen' has been presenting up to now three times in 2013/14 the project "TAGE", a lifetime project by Neele Hülcker and Elisabeth R. Hager.

Neele Hülcker and Elisabeth R. Hager bound themselves by contract on the 25.5.2011 to pronounce the date every day making a sound recording of this act up to their death. Over the days, months, years, the lifetime project "TAGE" leaves soundtraces of two friendly lives. TAGE is a study on the aging process of the voice and - in the most general sense - an audibilisation of lived time.

At the upcoming presentation on 14, 21 and 28 December the vocally retained TAGE (DAYS) will sound in the ohrenhoch cellar over a special loudspeaker installation.

Neele Hülcker
Born in Hamburg in 1987.
Works in fields of sound art, music theatre, performance, instrumental and electronic music. Has others play and plays herself. Builds situations, actions, interventions and installations. Cooperation with Ensemble ascolta, Ensemble Garage, Ensemble Radar, mam. Manufaktur für aktuelle Musik, Astrid Schmeling, Eva Zöllner, Matthias Kaul, Frauke Aulbert, Carola Schaal and Elisabeth Hager.
Performances at Wittener Tage für Neue Kammermusik, Wien Modern, Blurred Edges Festival Hamburg, Klangwerkstatt Berlin et al.
Website Neele Hülcker

Elisabeth R. Hager
* 21.10.1981 in St. Johann in Tirol  (Austria). 

2000 - 2004: Comparative, German & Philosophy studies in Innsbruck, Aix-En-Provence & Berlin | 2005 - 2007: Studies of Applied literary criticism at Freie Universität Berlin. During her studies & after activities on the radio, as a journalist & assistant director in different theatres in Innsbruck, Marseille and Berlin & first shorter texts.Time after time longer journeys, specially to Africa. Since 2010 organization of the intermedial stage taking place at irregular intervals "Avantgarden of Eden!".
In spring 2012 her debut novel KOMETEN was released by Milena Verlag. Besides writing she works for and is interested in sound art and dance. Since 2010 she is active as a freelancer at the radio play department of Deutschlandradio Kultur.
Digitale Repräsentanz von Elisabeth R. Hager

   

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