'ohrenhoch - the Noise Shop' presents on Sunday 12 and 19 July 2015, 2pm - 9pm:
Extension: Sunday 26 July and 2 August!
AGNES, TINA, LION & MATHIS
Sound installation (Premiere)
by Alois Späth
Alois Späth on 'AGNES, TINA, LION & MATHIS":
The tripartite sound installation shown in 'ohrenhoch - the Noise Shop' has grown out of the simple recognition that serially (mass-)produced things and everyday objects look alike for our eyes but reveal their individual own sound and differ from each other, as soon as we listen into their inside, for example by flicking them with a finger and making them sound.
So-called transducers – small special loudspeakers by oscillation that only in contact with objects diffuse their sound through them – are placed on metal hangers, book-stands, glass flower vases and ceramic saucers as resonating bodies.
The serially produced IKEA furniture objects reproduce sounds of quite normal everyday situations, living spaces and experiences. Each object with its own sound resonates with the sound being played back on it, and colors it, whereas its own sound slightly to strongly differs from the own sound of the other object which visually seems identical.
In the overall impression it can be heard that the single objects provide a seemingly musical sound garment to the played-back basic sound and make the sound wander at times through the installation by "resonating" in different ways - much the same as in a surround or multichannel installation.
[Translation from German: Katharina Moos]
Relating to the question "sound activism" with which ohrenhoch deals in 2015, Alois Späth writes:
"Sound, when made and heard by humans, creates self-definition and individuality. Sound art, as every art form, transports empowerment. Self-definition and individuality further and further create diversity and variety, which in turn multiply. [Translation from German: K.Moos]
Audio Field Report no. 33 / Sound activism 12: Interview with Alois Späth by Knut Remond. Limited Edition Audio cassette, 8 copies numbered. Available at 'ohrenhoch - the Noise Shop' (and can be heard there on headphone no.1).
Alois Späth
Born in 1972
After attending School at the cathedral choir "Regensburger Domspatzen" he studied musicology and German at the University of Regensburg (Graduation Magister Artium).
After several years working as a professional singer in various choir and ensemble engagements including Collegium Vocale Gent, Berlin RIAS Chamber Choir, including Weser Renaissance.
Since 2004 practice of experimental electronic and computer based music
In 2011 he graduated with Master of Arts "Sound Studies - Acoustic Communication" from Universität der Künste Berlin in the class for experimental sound design with the sound installation "Panharmonicon 2"
Since then he works as a soundartist, sounddesigner and sound scientist.Soundinstallations, sound interventions and electroacoustic compositions for festivals, institutes (Goethe Institutes Usbekistan, Kasachstan and Spain / Barcelona), theatre and in context of residencies.