To hear on Sunday 11, 18, 25 March and 1 April 2018, 2pm - 9pm:
(A production by Ö1 Kunstradio, 2017, German Premiere)
von Elisabeth Schimana
Curator, loudspeaker installation: Knut Remond
Elisabeth Schimana on 'Vast Territory, Episode 2 Forest Murmurs':
There is a certain memory of a busride in 2011 from Vilnius to Druskininkai and the experieced landscape – the vast territory.
In Episode 2 binaural recordings in the woods around Druskininkai are used – a journey with my artificial ears into the living silnece of the woods. These sounds ask for devotion, for the willingness to listen INTO and to enjoy this animate silence thereby.
Rare it has become to get to experience an acoustic landscape without aircraft noise at minute intervals. Rare it has become that people take their time to perceive small changes.
Do we need a hundred-year sleep so as to have time to listen into the depth? And to give this planet time to recover from us humans?
Audio Field Report no. 25 / Soundactivism 4 (March 2015): Interview with, or audio guide by Elisabeth Schimana. Idea: Knut Remond. Ltd Edition audio cassette, 8 copies numbered.
Elisabeth Schimana short biography
Since the 1980s the musician and composer Elisabeth Schimana has been active as one of the Austrian female pioneers of electronic music with projects marked by a radical approach and equally unconventional aesthetics.
After completing vocal training, she earned degrees in composition, computer music, musicology, and ethnology. She has worked intensively with the theremin in Moscow and with the Max Brand Synthesizer in Vienna. Not only has she created countless radio works in cooperation with ORF Kunstradio but numerous sound installations and interdisciplinary and performative projects as well. Her concepts for experimental set-ups fathom the social field and put to the test new ways of interacting musically on the Internet.
In her artistic work, Schimana examines questions of space, communication, or the body in its presence or absence, especially the imparting of compositional concepts (scores), which gives rise to completely new approaches that experimentally explore how we hear and demand a heightened musical presence on the part of the performer. Her probing approach also led her to found the
IMA Institute of Media Archeology, which has dedicated itself to acoustic media at the analogue/digital interface and to the subject of women, art, and technology since 2005.
Schimana's award-winning and internationally performed work spans the gamut of composition and free playing, is inextricably bound to her as a live performer, makes reference to historical positions, but resists all attempts at categorization, and stands out, strikingly and reduced, with tremendous intensity.
Milena Meller
Website Elisabeth Schimana