• Baby-Nachttropfendrache
    Baby-Nachttropfendrache
    Nur für kurze Zeit: Sparen Sie ganze 15%!
    Geben Sie hierfür folgenden Gutschein-Code bei der Bestellung ein: save15now
  • ohrenhoch kids - Comic
    ohrenhoch kids - Comic "soundmap"
    Online Comic auf http://comic.ohrenhoch.org/ - Illustration von Knut Remond
  • ohrenhochSonntage
    ohrenhochSonntage
    Eintritt frei!
  • SoundGallery
    SoundGallery
    Videos, Sound installation und Handbag Electronics - alle Informationen rund um die Hörgalerie finden Sie hier!
  • Workshops
    Workshops
    Alle Informationen rund um die Workshop Kooperationen finden Sie hier!
  • picture,score,video
    picture,score,video
  • "smell of growing hair" Nobuko Hori
    Ein Sound und eine kleine visuelle Installation, inspiriert von meinen alten Tonbändern aus meiner Kindheit.
    Soundloop und Installation
    von Nobuko Hori
    Assistenz: Kyoka
  • Live-Acts
    Live-Acts
    ohrenhoch bietet auch eine Plattform für Live Performances
    Voraussetzung ist, dass das benutzte Material für Live-Elektronik, in einem Handtäschchen Platz hat Grösse 30 x 30 x 10 cm.
  • Soundinstallation
    Soundinstallation
    Portrait: Jo Thomas-'plugged" von Ute Safrin
    'Timepiece (Berlin, September, 2010)'
    Soundinstallation - für ohrenhoch
    von Thom Blum
  • Beton_Zeitfresser
    Beton_Zeitfresser
  • PHONPIXMIX
    PHONPIXMIX
    ohrenhoch.tv
    January 28 - 30, 2011
  • ohrenhoch_Kids
    ohrenhoch_Kids
    radio play
  • KYOKA_HONDA
    KYOKA_HONDA
    SOUND_INSTALLATION
    14. 21 AUGUST
  • .
    .
  • Kyoka_HONDA
    Kyoka_HONDA
    Sound Cape 1 u. 2
    14 u. 21 August 2011
  • .
    .
    28.8._4.9.2011
  • ohrenhoch_Land
    ohrenhoch_Land
    ohrenhoch_Kids
    June 17-19, 2011
  • ohrenhoch_Land
    ohrenhoch_Land
    ohrenhoch_Kids
    June 17-19, 2011
  • .
    .
    live performance
  • Sunday
    Sunday
  • BABY FUN
    BABY FUN
    ohrenhoch_Kids youngsters 2012
    Samstag 24. März, 18 - 21 Uhr
    Sonntag 25. März, 14 - 21 Uhr
    und am Sonntag 1. April 2012, 14 - 21 Uhr:
  • 2pm_9pm
    2pm_9pm
    every Sunday
  • SoundCake
    SoundCake
    ohrenhoch - Kids and Knut Remond
  • ohrenhochTV
    ohrenhochTV
    livestream:
    live am Sonntag 11. Dezember 2011, 21:00 Uhr
  • Tape music
    Tape music
    Every Sunday 2pm - 9pm
  • 2pm_9pm
    2pm_9pm
    Sunday 5.2 und 12.2 2012
  • Home, Premiere
    Home, Premiere
    Sunday 19 and 26 February 2012, 2pm - 9pm:
  • Trinity
    Trinity
    4 u.11 März 14:00-21:00 Uhr
  • feedback
    feedback
    ohrenhoch' launches an additional presentation platform named "feedback".
  • +
    +
    Sound Objekte Sonntag 18. März 2012, 14 - 21 Uhr:
  • Baby Fun
    Baby Fun
    Samstag 24. März, 18 - 21 Uhr
    Sonntag 25. März, 14 - 21 Uhr
    und am Sonntag 1. April 2012, 14 - 21 Uhr
  • Wunderkammer
    Wunderkammer
    Sonntag 22 and 29 April 2012
  •  _
    _
    Dariusz Mazurowski_pseudaria,ohr/ohrenhoch
  • klanginstallation
    klanginstallation
    Sunday 2 pm - 9pm
  • 15 and 22 Juli 2012
    15 and 22 Juli 2012
    Tape and Scores
  • 29 Juli und 5 August
    29 Juli und 5 August
    2012
  • sunday 12 and 19 august
    sunday 12 and 19 august
    electroacoustic music with video
  • Neele Hülcker
    Neele Hülcker
    Sunday 26 and 2 September 2012
  • TAPEMUSIC
    TAPEMUSIC
    Sunday 9 and 16 September 2012
  • 23 and 30 September 2012  2pm - 9pm
    23 and 30 September 2012 2pm - 9pm
    NEW SPEAKER Installation
  • 3,4 and 11 November
    3,4 and 11 November
    Sound_Installation
  • Sunday 18 and 25 November
    Sunday 18 and 25 November
    Every Sunday 2pm - 9pm
  • Ulrich Ludat
    Ulrich Ludat
    2 und 9 Dezember 14:00 - 21:00 Uhr
  • PREMIERE
    PREMIERE
    Every Sunday 16 and 23 December
  • 2pm - 9pm
    2pm - 9pm
    Sunday 6 and 13 January 2013
  • Zu hören am Sonntag 20. und 27. Januar 2013, 14 - 21 Uhr
    Zu hören am Sonntag 20. und 27. Januar 2013, 14 - 21 Uhr
    Every Sunday 2pm - 9pm
  • Sunday 3 and 10 February 2013
    Sunday 3 and 10 February 2013
    Every Sunday 2pm - 9pm
  • Sunday 17 and 24 February 2013
    Sunday 17 and 24 February 2013
    Tapemusic
  • BASSBOX with 5 Loudspeaker
    BASSBOX with 5 Loudspeaker
    Loudspeaker-Installation
  • 3 and 10 March 2013
    3 and 10 March 2013
    Shahrokh Yadegari "Invitable" Worldpremiere
  • Dean Rosenthal
    Dean Rosenthal
    Sunday 2pm - 9pm
  • ohrenhoch-Kids
    ohrenhoch-Kids
    Frühlingserwachen: Samstag 23 März 17:00-21:00 Uhr
    ohrenhoch_Sonntage: 24 u. 31 März 2013
  • for
    for "BASSBOX"
    Sunday 14 and 21 April
    Sunday 28 April and 5 May 2013
  • part two
    part two
    SUNDAY 28 April and 5 May 2013
  • 12 and 19 May 2013
    12 and 19 May 2013
    Every Sunday 2pm-9pm
  • Sunday 26 May and 2 June
    Sunday 26 May and 2 June
    Every Sunday 2pm - 9pm
  • with Knut Remond
    with Knut Remond
    Sunday 9 June 2013/Time:15:00_17:00_19:00
  • :-)
    :-)
    Freitag 14 Juni 19:00-23:00 Uhr
    Samstag 15 Juni 14:00-22:00 Uhr
    Sonntag 16 Juni 14:00-19:00 Uhr
  • LEBENSPROJEKT
    LEBENSPROJEKT
    Sunday 7 and 14 July 2013
  • 21 und 28 Juli 2013
    21 und 28 Juli 2013
    SOUND ± VIDEO
  • Sound-Installation with special Booklet
    Sound-Installation with special Booklet
    Every Sunday 2pm-9pm
  • Premiere 4 und 11 August 2013
    Premiere 4 und 11 August 2013
    Every Sunday 2pm-9pm
  • Sunday 18 + 25 August 2013
    Sunday 18 + 25 August 2013
    Every Sunday 2pm-9pm
  • =
    =
    Every Sunday 2pm-9pm
  • SOUNDSCAPE-PHOTO INSTALLATION
    SOUNDSCAPE-PHOTO INSTALLATION
    Sunday 15 and 22 September 2013
    2pm-9pm
  • Sound and Booklets
    Sound and Booklets
    Every Sunday 2pm-9pm
  • Sonntag 29 September 2013
    Sonntag 29 September 2013
    Mitarbeit an einer Komposition nur am Sonntag 29 September 14:00-21:00 Uhr
  • Tape with Score
    Tape with Score
    Sunday 6 and 13 October 2013
    2pm - 9pm
  • ich und...? Tonbandstück
    ich und...? Tonbandstück
    Sunday 20 and 27 Ocober 2pm-9pm 2013
  • Video_Installation
    Video_Installation
    Samstag 2.November 18:00-23:00 Uhr und 3/10November 14:00-21:00 Uhr
  • Video_Installation
    Video_Installation
    Sunday 10. November, 2pm-9pm 2013
  • echoic memory
    echoic memory
    Martyna Pozna?ska
    Sunday 17 and 24 and 1 December 2013,
    2pm - 9pm
  • 8 and 15 December 2013
    8 and 15 December 2013
    Live-Audiostream Soundstück (Uraufführung)
    18:00 - 21:00 Uhr im Schaufensterraum
  • LIVE AUDIOSTREAM
    LIVE AUDIOSTREAM
    8 und 15 Dezember:18:00-21:00 Uhr
    8 and 15 December: 6pm-9pm
  • TAGE I I I
    TAGE I I I
    Sunday 22 and 29 December 2013
    special: 22 Dec: 2am-9am and 2pm-9pm
  • THE FIRST 2014
    THE FIRST 2014
    Sonntag 5 und 12 Januar 2014
    14:00-21:00 Uhr
  • AUDIOFIELDREPORT
    AUDIOFIELDREPORT
    New edition 2014
  • 19 and 26 January 2pm-9pm 2014
    19 and 26 January 2pm-9pm 2014
    Sound and Video Installation
  • 2 and 9 February 2014
    2 and 9 February 2014
  • 16 and 23 February 2014
    16 and 23 February 2014
    world premiere!!
  • Sunday 2 march 2pm-9pm
    Sunday 2 march 2pm-9pm
    grand opening
  • Sunday 9 and 16 march 2014
    Sunday 9 and 16 march 2014
    special mix for ohrenhoch
  • The electroacoustic composer:
    The electroacoustic composer:
    The title itself comes from a declaration she made during an interview saying that some
    actor once said that kissing her was like kissing Hitler.

    What sound accompanied Marilyn Monroe’s death ?

    Sunday 23 and 30 March 2pm-9pm 2014
  • Video and Soundinstallation
    Video and Soundinstallation
    Sunday 6 and 13 April 2014
  • killAmor
    killAmor
    Sunday 20 and 27 April 2014
  • Sunday 4 and 11 May 2014
    Sunday 4 and 11 May 2014
    "I will call you with birds names"
  • Sunday 4 and 11 May 2pm-9pm 2014
    Sunday 4 and 11 May 2pm-9pm 2014
    Meeting and twittering birds experiment with Prune Bécheau at 6pm
  • Sunday 18 & 25 May 2014
    Sunday 18 & 25 May 2014
    Every Sunday 2pm-9pm
  • TAPE-MUSIC
    TAPE-MUSIC
    Sunday 1 and 8 june 2pm-9pm
  • Louise K. Wilson
    Louise K. Wilson
    Sunday: 15 and 22 June 2pm-9pm
    2014
  • 48Std.Neukölln 2014
    48Std.Neukölln 2014
    Freitag 27. Juni-Sonntag 29 Juni
    19:00-23:00/14:00-23:00/14:00-19:00 Uhr
  • "I"
    Annabel Frearson Sunday 13. and 20. July 2014, 2pm - 9 pm
  • Fieldrecording
    Fieldrecording
    Sunday 27 July and 3 August 2pm-9pm 2014
  • °
    °
    "Touch" Sunday 10 and 17 August 2014
    2pm-9pm
  • Sound-Installation 2 pm - 9 pm
    Sound-Installation 2 pm - 9 pm
    Martin Daske + Kg Augenstern (Christiane Prehn und Wolfgang Meyer)
    Sonntag 24. und 31. August
    Sonntag 7. und 14. September
    2014
  •  Schiff 014
    Schiff 014
    Video-Livestream-
    Installation
    Sunday 7 and 14
    September 2014
    2pm-9pm
  • docu-music
    docu-music
    Sunday 21 and 28 September 2014
    2pm - 9 pm
  • Tape-Music
    Tape-Music
    Sunday 5 and 12 October 2014
    2pm-9pm
  • Klang-Installation
    Klang-Installation
    Sonntag 19. und 26. Oktober 2014
    14:00-21:00 Uhr
  • Sound-Installation
    Sound-Installation
    Sunday 19 and 26 October 2014
    2 pm 9 pm
  • Dok.Sound
    Dok.Sound
    Samstag 1. November 19:00-23:00 Uhr (NachtundNebel)
    Sonntag 2. und 9. November 14:00-21:00 Uhr
  • TapeMusic
    TapeMusic
    Sunday 16 and 23 November 2014
    2 pm-9 pm
  • Performance Late Night Show
    Performance Late Night Show
    Freitag 28 November 21:00 Uhr
    Plätze Reservieren
    info@ohrenhoch.org
  • Matthias Kranebitter survival of the fittest
    Matthias Kranebitter survival of the fittest
    Sonntag: 30 November und 7 Dezember 2014
  • Neele Hülcker + Elisabeth R. Hager
    Neele Hülcker + Elisabeth R. Hager
    Sonntag 14, 21 und 28 Dezember 2014
    14:00-21:00 Uhr
  • Soundactivism 2015
    Soundactivism 2015
    at ohrenhoch in 2015 the platform "soundactivism" will be installed!
    im ohrenhoch wird 2015 die plattform "soundactivism" installiert! 
  • Salt Sculpting Martyna Poznanska
    Salt Sculpting Martyna Poznanska
    Sonntag 4 und 11 Januar 2015
    Sunday 4 and 11. January 2015
  • dieter kaufmann
    dieter kaufmann
    Sunday 18 and 25 January 2pm-9pm / 2015
  • Sound installation Christine Gedeon
    Sound installation Christine Gedeon
    Sunday 1 and 8 February 2 pm-9 pm
    2015
  • outcry Knut Remond
    outcry Knut Remond
    Sunday 15 an 22 February 2015
    2 pm - 9 pm
  • FIELDRECORDINGS moskwa
    FIELDRECORDINGS moskwa
    Sunday 1 + 8 March 2 pm - 9 pm 2015
  • Maggi Payne
    Maggi Payne
    Sunday: 15 + 22 March
    2 pm - 9 pm
  • Installation fuer einen einzelnen Gast
    Installation fuer einen einzelnen Gast
    Sunday 29 Mars + 5 April 2 pm -9 pm 2015
  • SOUNDACTIVISM DeLaurenti
    SOUNDACTIVISM DeLaurenti
    Sunday 12 + 19 April 2015
    2 pm - 9 pm
  • Dean Rosenthal
    Dean Rosenthal "Island"
    "Island" Sunday 26 April and 3 May 2015
    2 pm - 9 pm
  • Composizione elettroacustica
    Composizione elettroacustica
    Sunday 10 + 17 May 2015
    2 pm - 9 pm
  • knut remond defeat
    knut remond defeat
    Knut Remond "defeat" (2011) Sunday: 24 May 2015 2 pm - 9 pm
  • marcoll_if music
    marcoll_if music
    Sunday 31 May and 7 June 2015, 2pm - 9pm:
  • pajaro suelto
    pajaro suelto
    Sunday 14 + 21 Juni 2015, 2 pm - 9 pm
  • ;)
    ;)
    "unerhört."
    Freitag 26. Juni 19:00 - 23:00 Uhr Samstag 27. Juni 14:00 - 23:00 Uhr Sonntag 28. Juni 14:00 - 19:00 Uhr und am ohrenhoch-Sonntag Sonntag 05. Juli 14:00 - 21:00 Uhr/ 2015
  • alois spaeth
    alois spaeth
    Sunday 12 and 19 July 2015, 2pm - 9pm:

    Extension: Sunday 26 July and 2 August!
  • tina pearson this is for you
    tina pearson this is for you
    Sound installation (Premiere)
    Sunday 9 and 16 August 2015, 2pm - 9pm
  • louise wilson submerged
    louise wilson submerged
    Sunday 23 and 30 August 2015, 2pm - 9pm
  • why is why
    why is why
    Sonntag 6. und 13. September 2015, 14 - 21 Uhr
  • soundactivism
    soundactivism
    Sunday 20 and 27 September 2015
    2 pm - 9 pm
  • soundactivism
    soundactivism
    Sunday 4 and 11 October 2 pm - 9 pm 2015
  • soundactivism
    soundactivism
    Sunday 18 and 25 October 2015
    2 pm - 9 pm
  • soundactivism
    soundactivism
    Installation
    1 and 8 November 2015
    2 pm - 9 pm
  • soundactivism
    soundactivism
    Sunday 15 November 2015
    2pm - 9pm
  • soundactivism
    soundactivism
    Sunday 22 and 29 November 2015
  • soundactivism
    soundactivism
    Sunday 6 and 13 December 2015
    2 pm - 9 pm
    premiere
  • soundactivism
    soundactivism
    Sunday 20 and 27 December 2015
    2pm - 9pm
    premiere!
  • soundactivism
    soundactivism
    Sunday 3 and 10 January
    2pm - 9pm
  • soundactivism
    soundactivism
    Sunday 17 and 24 January
    2 pm - 9 pm
    2016
  • soundactivism
    soundactivism
    Sunday 31 January and 7 February
    2 pm - 9 pm 2016
  • soundactivism
    soundactivism
    Sunday 14 and 21 February
    2 pm - 9 pm
  • soundactivism
    soundactivism
    Sunday 28 February and 6 March 2016
    2 pm - 9 pm
  • soundactivism
    soundactivism
    Sunday 13 and 20 Mars 2016
    2 pm - 9 pm
  • soundactivism
    soundactivism
    Sunday 27 Mars and 3 April
    2 pm - 9 pm
    2016
  • soundactivism
    soundactivism
    Sunday 10 and 17 April 2016
    2pm - 9pm
  • soundactivism
    soundactivism
    Sunday 24 April and 1 May 2016
    2pm - 9pm
  • soundactivism
    soundactivism
    Sunday 8 and 15 May 2016
    2pm - 9pm
  • soundactivism
    soundactivism
    Sunday 22 and 29 May 2016
    2 pm - 9 pm
  • soundactivism
    soundactivism
    Sunday 5 and 12 June 2016
    2pm - 9pm
  • active colorize
    active colorize
    ohrenhoch-Kids and Knut Remond
    present:
    Friday 24 to Sunday 26 June, 2016
    the ohrenhoch-Kids together
    with refugee children.
  • soundactivism
    soundactivism
    Sunday 17 and 24 July
    2 pm - 9 pm
  • soundactivism
    soundactivism
    Sunday 31 July and 7 August
    2 pm - 9 pm
  • soundactivism
    soundactivism
    Sunday 14 and 21 August 2016
    2pm - 9pm
  • soundactivism
    soundactivism
    Sunday 28 August and 4 September 2016
    2pm - 9pm (repeat)
  • #
    #
    soundactivism
    Sunday 11 and 18 September 2016 2pm - 9pm
  • soundactivism
    soundactivism
    Sunday 25 September and 2. October 2016
    2pm - 9pm
  • soundactivism
    soundactivism
    Sunday 9 and 16 October 2016
  • soundactivism
    soundactivism
    Sunday 23 and 30 October 2016
    2 pm -9 pm
  • soundactivism
    soundactivism
    Sunday 6 and 13 November 2016
    repeat: Sunday 14 and 21 February 2016
  • soundactivism
    soundactivism
    Sunday 20 and 27 November 2016
    2pm-9pm
  • soundactivism
    soundactivism
    Sunday 4 and 11 December 2016
    2pm-9pm
  • soundactivism
    soundactivism
    Sunday 18 and 25 December 2016
    2pm-9pm
  • .
    .
    "soundactivism" Sunday 8, 15, 22 and 29 January 2017
    2pm - 9pm
  • soundactivism 2017
    soundactivism 2017
    Sunday 5 and 12 February 2017
    2pm - 9pm
  • soundactivism 2017
    soundactivism 2017
    Sunday 14 and 21 February 2017
    2pm - 9pm
  • soundactivism
    soundactivism
    Sunday 5 and 12 March 2017
    2pm - 9pm
  • soundactivism017
    soundactivism017
    Sunday 19 and 26 March 2017
    2pm - 9pm
  • OPEN_DOOR ohrenhoch Archiv
    OPEN_DOOR ohrenhoch Archiv
    Sunday 2 April 2017
    2pm-9pm
  • soundactivism017
    soundactivism017
    Sunday 9, 16, 23, 30 April 2017
    2pm - 9pm
  • soundactivism017
    soundactivism017
    Sunday 7 and 14 May 2017
    2pm-9pm
  • soundactivism017
    soundactivism017
    Sunday 21 and 28 May 2017
    2pm-9pm
  • ohrenhoch_Rumori_Kids
    ohrenhoch_Rumori_Kids
    Sunday 18 June 2017
    2pm - 9pm
  • ohrenhoch_Rumori_Kids
    ohrenhoch_Rumori_Kids
    Freitag 23. bis Sonntag 25. Juni 2017
  • soundactivism017
    soundactivism017
    Sunday 16 and 23 July 2017
    2pm - 9pm
  • soundactivism017
    soundactivism017
    Sunday 30 July and 6 August 2017
    2pm - 9pm
  • soundactivism 017
    soundactivism 017
    Sunday 20,27 August and 3, 10 September 2017
    2pm - 9pm
  • soundactivism 017
    soundactivism 017
    Sunday 17 and 24 September and
    1 and 8 October 2017
  • soundactivism 017
    soundactivism 017
    Sunday 22,29 October and 5,12 November
    2pm-9pm
  • soundactivism 017
    soundactivism 017
    Sundays: 19 and 26 November, 3 and 10 December 2017, 14:00 - 21:00 hrs
  • soundactivism
    soundactivism
    Sunday 17., 24., 31. Dezember 2017 und 7. Januar 2018
    2pm-9pm
  • soundactivism018
    soundactivism018
    Sunday 14, 21, 28 January + 04 February 2018 2pm – 9pm
  • LIVE
    LIVE
    Anna Stereopoulou 28.February 7 pm
  • soundactivism018
    soundactivism018
    Sunday: 11, 18, 25 February und 4 March 2018
    every Sunday 2pm-9pm
  • soundactivism2018
    soundactivism2018
    Sunday 11,18,25 March and 1. April 2018
    2pm - 9pm
  • soundactivism 2018
    soundactivism 2018
    Sunday 8, 15, 22 and 29 April 2018
  • soundactivism 2018
    soundactivism 2018
    Sunday 6, 13, 20 and 27 May 2018
    Every Sunday 2pm - 9pm
  • soundactivism
    soundactivism
    Sunday 3., 10. und 17. Juni 2018
    2 pm-9 pm
  • 'ohrenhoch, der Geräuschladen' am Kunstfestival 48 Stunden Neukölln 2018
    'ohrenhoch, der Geräuschladen' am Kunstfestival 48 Stunden Neukölln 2018
    Freitag 22. Juni, 19 – 22 Uhr
    Samstag 23. Juni, 14 – 22 Uhr
    Sonntag 24. Juni, 14 – 19 Uhr
    ...und an den ohrenhoch-Sonntagen
    Sonntag 1., 8. und 15. Juli, 14 – 21 Uhr
  • sound:activism 018
    sound:activism 018
    Sunday: 22,29 July and 5,12 August 2018
  • soundactivism 018
    soundactivism 018
    Sunday 19,26 August and 2, 9 September 2018
  • soundactivism 018
    soundactivism 018
    Sunday 16,23, 30 September and 7 October 2018
  • soundactivism 018
    soundactivism 018
    Sunday 14, 21, 28 October and 4 November 2018
  • soundactivism 018
    soundactivism 018
    Sunday 11,18, 25 November and 2 December 2018
  • soundactivism 018
    soundactivism 018
    Sunday 9, 16, 23 and 30 December 2018
German (DE-CH-AT)English (United Kingdom)

News

In der Zukunft war alles besser | Idee, Graphik: ohrenhoch-Kids

The ohrenhoch-Kids present at the art festival 48 Stunden Neukölln 2019 (Festival theme Future III):

In der Zukunft war alles besser
(In the Future, everything was better)

Freitag 14. Juni: 19:00 - 21:00 Uhr
Samstag 15. Juni: 14:00 - 22:00 Uhr
Sonntag 16. Juni: 14:00 - 19:00 Uhr

'ohrenhoch, der Geräuschladen' ist eine Hörgalerie für die Präsentation internationaler Sonic Art und eine Schule für Kinder im Alter von 5-14 Jahren. ohrenhoch liegt im Bezirk Neukölln von Berlin.

In der Hörgalerie wird jeden Sonntag von 14 bis 21 Uhr eine Fixed-Media-Arbeit über eine spezielle klangarchitektonische Lautsprecher-Installation im Loop präsentiert. Ein besonderer Fokus liegt damit auf der Wahrnehmung einer einzelnen Arbeit, in der Anfang und Ende des Stückes aufgehoben werden.

In der ohrenhoch-Schule lernen, forschen und experimentieren die ohrenhoch-Kids. Aus ihren eigenen Ideen realisieren sie mit Geräuschen und Klängen auf Fixed Media und mit Klanginstallationen ihre Projekte. Pädagogischer Ausgangspunkt ist dabei den ohrenhoch-Kids auf gleicher Augenhöhe und als vollwertigen Mitgliedern der Gesellschaft zu begegnen.

Der wahre Sinn des Lebens besteht darin, Augenblicke des ewigen JETZT auszuloten / Die ohrenhoch-Kids gehen rückwärts in die Zukunft / Kreativität braucht Opposition.

„Falls die Welt gerettet werden kann, dann nur durch Rebellen.“
(André Gide)

"In der Zukunft war alles besser" ist eine Produktion der ohrenhoch-Kids mit Knut Remond als Mentor.

 

Trade Route Chart of the British Empire ©British Library. Public Domain

To hear on Sunday 2 and 9 June, 14 and 21 July 2019, 2pm - 9pm:

Acoustic Empire

A comment on Brexit.
Composed and produced
by Sylvia Necker
for the Sound Gallery „ohrenhoch“ Berlin, June 2019

Curator, loudspeaker installation: Knut Remond

Sylvia Necker on her piece 'Acoustic Empire': 

On 23 June, 2016, the British held a referendum on whether leave or remain in the European Union. Ever since, the country has been deeply riven and no one knows how to resolve the tensions between the two camps. While the ‚remainers' still are hoping for a second referendum, ‚brexiteers‘ envision a new British empire. For the sound piece ‚Acoustic Empire‘ the German sound artist Sylvia Necker will set up sound routes along the trade routes of the British Empire. She will tie them in with contemporary debates, which she picked up in newspapers, radio programmes, and conversations with neighbours and colleagues in Nottingham. By merging these contemporary voices with the history of the British Empire, Necker acoustically comments on the Brexit process – a process that involves all of us either as British or as European citizens.

Neckers’ sound piece consists of two parts that emblematise two colonial trade routes of the British empire: Liverpool-Lagos and London-Dehli. The distance between the cities will equal the duration of the respective part: It’s 7,216 kilometres from Delhi to London and 5,261 kilometres from Liverpool to Lagos. So the two pieces will have a duration of 7:22 min and 5:26 min. The exhibition space of the sound gallery ‚ohrenhoch‘ will not only resonate political debates on Brexit but also sounds and music of the former colonies of Great Britain, to which Necker will add her own sound snippets played on electric guitar and synthesizers. At times the two sound routes – Liverpool-Lagos and London-Delhi – will intersect and produce an overlay, which becomes a metaphor for the various protagonists of the Brexit process, who are willing to drown out each other’s opinions.

Audio Field Report no. 46, soundactivism 25: Interview with Sylvia Necker by Knut Remond (April 2016). Limited edition audio cassette, 8 copies numbered. Available at 'ohrenhoch, der Geräuschladen' (and heard on headphone in the ohrenhoch archive space).

Sylvia Necker – a Nottingham (UK) and Frankfurt/Main (GER) based sound artist, curator and historian – , experiments with electronic music, field recordings, sound art, electro-accoustic sounds and free improvised music. Her preferred instruments are synthesizers, all kinds of electronic devices, piano, percussion and reeds. She has performed in theaters, museums and galleries such as „Heilig Blut“ (2018, Theater Landungsbruecken Frankfurt/Main), „Weisses Rascheln“ (2017, oqbo Art Gallery Berlin), „Muenchen Gollierplatz“ (2016, Ohrenhoch Art Gallery Berlin) and for the soundtrack of the photo work „Mischlinge (2015) by the New York based photographer Marc Babej.

Website Sylvia Necker

Soundcloud Sylvia Necker

   

do not listen with half an ear | rilo chmielorz | anna homler

To hear on Sunday 5, 12, 19, 26 May 2019, 2pm - 9pm:

do not listen with half an ear

some listening-exercises

(2019, Premiere)

by Rilo Chmielorz, Berlin
and Anna Homler, Los Angeles

Curator, loudspeaker installation: Knut Remond

Rilo Chmielorz on 'do not listen with half an ear":

It is such a nice paradox: "Listening with half an ear!" There doesn´t exist half an ear. There is one ear or there are two ears. The linguistic paradox refers to an inattentive listening. An inattentive listening doesn´t fit at all to SOUNDACTIVISM. The OHRENHOCH-KIDS are right in telling us: "Hearing is work." Here comes the idea up of creating several miniatures - something like "listening-exercises " - titled:

DO NOT LISTEN WITH HALF AN EAR

It is an ironic, laconic lecture focusing feedbacks and parasites coming out of my acoustic casket and analogue sounds from the time when the reproducibility of sound was a new technical achievement such as a transistor-radio, catching the radio-waves flying all around us, and a phonograph. The latter one plays only "mono" - with „half an ear“ (?).

"Hearing is work" - we should practise. In times of media-overflow and discursive erosion our ears should be cleansed and our eardrums should have a massage. This is mainly the duty of the parasites and feedbacks - they are the masters of acoustic massage.

I sent some sound-pieces to Los Angeles. Anna Homler reacted on them:

Toys and voice were coming back from L.A. - and Anna wrote:

„In this project,  one of sonic exchange,  I tried to converse with Rilo's sounds.
Her soundscapes were very particular  and  I wanted to respond with very specific
sounds  that created complement  or contrast. This sound world is very
inviting to me and I hope others will  enjoy it, too“.

And I wonder if Anna is telling us a fairytaile in a strange ancient, indigenous language of the hare, which denied to prick up his ears ….

There is no starting point and no end. The process is going on. Just like soundactivism.
An ongoing loop at „ear level“.

(Thanks to the OHRENHOCH-Kids Benjamin and Aila for their collaboration)

Rilo Chmielorz
is a multi-media-artist based in Berlin - working in the field of radio-art, soundart-compositions, radio-features and radio-theater as well as writing.
In 2002 she obtained the Production Award of the radio WDR,  studio for acoustic arts within German Sound Art Award. Public and private collections include her work. She has presented countless individual exhibitions, concert/performances, and sound installations in galleries, museums and international music- and  soundart-festivals in Europe, Mexico, Cuba and Hongkong.

Anna Homler and Rilo Chmielorz performed together in several occasions in Cologne in 2000 and 2002 at Joachim Zöpfs „WERFT“.

Anna Homler
is a vocal, visual and performance artist based in Los Angeles. She has performed and exhibited her work in venues around the world. With a sensibility that is both ancient and post-modern, Homler sings in an improvised melodic language. Her work explores alternative means of communication and the poetics of ordinary things. She creates perceptual interventions by using language as music and objects as instruments.

Website Anna Homler
Website Rilo Chmielorz

 

Moog IIIP ©Maggi Payneby Maggi Payne

Curator, loudspeaker installation: Knut Remond

Maggi Payne on 'Black Ice':

This work is an exploration of space and time, and especially of depth and height. Layers frequently shift, as demonstrated in the beginning where crackling is so present—almost seeming to emanate from the listener. The underlay provides a distanced atmosphere, almost a nebula, that moves towards, through, then past the listener, passing through the crackles while modifying their molecular structure and turning them to mist as they slowly recede.

All of the sounds are generated by the Moog IIIP. Many are raw; some are further actively eq’d to provide a further dynamic quality to the work. It was composited using a Pro Tools DAW.

Although I’ve used bits and pieces of sounds I created using the Moog synthesizer in my work from time to time, in mid-December of 2013 I had an overwhelming urge to escape into the Moog IIIP studio at Mills College to spend some quality time generating sounds and recording them to a pair of Sound Devices. It‘s fascinating to me just how flexible that instrument is.

As with any fine instrument, it fundamentally remains the same, but the way one approaches the instrument changes considerably over time. Its open architecture has allowed quite varied aesthetic and technical approaches to the instrument over the decades since it was first built.

Audio Field Report no. 27 (February 2015):
Interview with Maggi Payne by Knut Remond. Limited edition audio cassette, 8 copies numbered. Available at 'ohrenhoch, der Geräuschladen' (and heard on headphone in the ohrenhoch archive space).

Maggi Payne

In her works Maggi Payne architects/sculpts the acoustic space so that the sounds build a geometric shape, then reorient, contract, or expand to an entirely different shape, shrink to a pinpoint, then stretch again to form yet another “world.” At times multiple spaces coexist. There is always a sense of “place,” an atmosphere, in these acoustic constructs. The sounds are choreographed, as if they are dancers in three-dimensional space, with no walls, ceilings, or floors to constrain them.

Her electroacoustic works often incorporate visuals she creates using images ranging from nature to the abstract. She has composed music for dance, theatre, and video, including the music for Jordon Belson's video Bardo. She collaborated for years with video artist Ed Tannenbaum in his Technological Feets performances.

Her works have been presented in the Americas, Europe, Japan, Hong Kong and Australasia. She received Composer's Grants and an Interdisciplinary Arts Grant from the National Endowment for the Arts, and video grants from the Mellon Foundation and the Western States Regional Media Arts Fellowships Program, and received five honorary mentions from Bourges and one from Prix Ars Electronica.

Works appear on Aguirre, The Label, Innova, Starkland, Lovely Music, Root Strata, Music and Arts, Centaur, Ubuibi, MMC, New World (CRI), Digital Narcis, Frog Peak, Asphodel, and/OAR, Capstone, and Mills College labels. Excerpts of her videos are available on Vimeo.

Website Maggi Payne

   

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